Trio No. 1, In D minor, Op. 49 played by Jascha Heifetz (violin)
Gregor Piatigorsky (cello) Artur Rubinstein (piano) on gramophone records

A jig-saw portrait made up of recollections and reflections
Taken from the recorded conversations of playwrights, players, playgoers, and directors, including:
Ernest Btythe , St. John Ervine
St. John Gogarty Lennox Robinson
Robert Farren , Frank O'Connor
Brinsley MacNamara , Denis Johnston
Cyril Cusack , Seumas O'Sullivan
Brian Nolan , Michael MaeLiammoir Peter Kavanagh. Donagh MacDonagh
George Roberts , Sean O'Faolain
Austin Clarke , Val Iremonger Roger McHugh , Mervyn Wall
Sean O'Conchubhair , Dr. John Larchet
Shelah Richards , Cathal O'Shannon
Pearse Beasley , Gabriel Fallon
Tommy Lennon. Seumas Kavanagh
Tony Quinn , Harry Hutchinson
Sean MacReamoinn , Thomas Studeley
Harry Brogan , William O'Gorman
Put together and narrated by W. R. Rodgers
Produced by Maurice Brown

Dona Kabos (piano)
BBC Symphony Orchestra
(Leader, Paul Beard )
Conductor, Sir Malcolm Sargent
Part 1

by N. Tinbergen of the University of Oxford
From his studies of the co-operation between animals, the speaker draws conclusions as to the help we can expect from animal sociology in solving the problems of our own species.

Part 2

Talk by Frank Kermode
Two years after Marveil's death his servant Mary Palmer , in order to forestall other claims, published hit lyrical poems with an address to the ' Ingenious Reader.' In the light of a new edition of these poems, Frank Kermode argues that Mar-veil's poetry has tended to be confused on the one hand with the ' metaphysical' and on the other with nineteenth-century conceptions of rhe ' lyrical,' and that the poetical tradition to which he really belonged has in consequence been overlooked. The speaker suggests that a new critical language is neededto enable the 'ingenious reader' to put.Marvell in his proper perspective.
Mr. Kermode is Lecturer in Englishat
Reading University.
(Continued in next column)
10.10 app. Poems by Marvell and his contemporaries
Following his talk, Frank Kermode introduces well-known poems by Marvell and other less familiar poems of the period in order to bring out their relationship.
Readers: Tom Fleming
Janet Moffatt , Leslie Stokes

Nona Liddell (violin)
Daphne Ibbott (piano)
Gordon Clinton (baritone)
The Hirsch String Quartet:
Leonard Hirsch (violin) Patrick Hailing (violin) Stephen Shingles (viola) Francisco Gabarro (cello) Josephine Lee (piano)

by Gordon Craig