The London Baroque Ensemble:
Geoffrey Gilbert (flute)
Neil Sanders (horn) Alfred Cursue (horn) Jean Pougnet (violin) Thomas Carter (violin)
John Dver (viola)
John Shinebourne (cello)
James W. Merrett (double-bass)
James Bradshaw (side drum)
Director, Karl Haas
In 1775 Joseph Haydn wrote five divertimenti for ' barytone ' (a kind of viola da gamba with a great number of strings), two horns, and swings. The Divertimento in G is the third of these, with the barytone part arranged for flute by Haydn himself. It has been edited by Karl Haas , and is in three movements: Adagio, Allegro, and Presto.

Talk by Stuart Hampshire
FeHow of New College, Oxford
The French philosopher Maine de Biran lived from 1766 to 1824. Stuart Hampshire takes his discussion of the will as an example of philosophical method.

by John Gay in a musical version realised from the original airs by Benjamin Britten
The English Opera Group
Chamber Orchestra
(Leader, Hans Geiger )
Conductor, Norman Del Mar
Repetiteur, Robert Keys Producer, Basil Coleman
(Continued in next column)
Scene: The Great Room at St. Giles' where the beggars enact their operas
Act 1
7.40 app. The Running Patterer
An interview by Henry Mayhew adapted by Douglas Cleverdon from ' London Labour and the London Poor' with Ernest Jay and Carleton Hobbs
7.50 app. Act 2
8.40 app. The Watercress Girl
An interview by Henry Mayhew with Diana Maddox and Carleton Hobbs
8.50 app. Act 3
(Glenice Halliday broadcasts by permission of the Governors of Sadler's Wells; Otakar Kraus , of the General Administrator, Royal Opera House Covent Garden, Ltd.)
Another performance: December 8

in a seventeenth-century English translation by J. Rutter completed by Merlin Thomas
Production by E. A. Harding
During the interval (10.35-10.45 app.):
Lalande
Extracts from
Sinfonies pour les soupers du Roy on gramophone records

Piano Sonata in B flat minor played by Ronald Smith