Programme Index

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A Practice without a Theory
Talk by S. Moos
Lecturer in Economics in the Durham Colleges
The speaker, who was for some years a member of the research staff of the Oxford University Institute of Statistics, considers some of the limitations of the productivity drive as at present practised.
(The recorded broadcast of May 14) followed by an interlude at 6.60

Contributors

Talk By:
S. Moos

Opera in eight scenes by Paul Hindemith
(Continued in next column)
Chorus of the Hamburg State Opera
(Chorus-Master, Giinther Hertel )
Hamburg Philharmonic Orchestra
Conducted by Leopold Ludwig
Produced by Giinther Rennert
From the King's Theatre, Edinburgh
Orchestral Prelude: Concert of Angela
Scene 1: The courtyard of St. Anthony's monastery
Scene 2: The hall of the Martinsburg at Mainz
Scene 3: The library of Riedinger's house on the market square
Scene 4; A war-torn village

Contributors

Unknown:
Paul Hindemith
Chorus-Master:
Giinther Hertel
Conducted By:
Leopold Ludwig
Produced By:
Giinther Rennert
Mathis, painter in his service:
Mathieu Ahlersmeyer
Lorenz of Pommersfelden, Dean of Mainz:
Toni Blankenheim
Wolfgang Capito, counsellor of the Cardinal:
Fritz Lehnert
Riedinger. a wealthy citizen of Mainz:
Theo Hermann
Hans Schwalb, leader of the rebel peasants:
Heinrich Bensing
The Lord High Steward of Wald burg, commander of the federal army:
Jean Pfendt
Sylvester of Schaumburg one of his officers:
Kurt Marschner
Ursula, Riedinger's daughter:
Elfriede Wasserthal
Regina, Schwalb's daughter:
Anneliese Rothenberger
The Countess of Helfenstein:
Lisa Jungklnd

First of two talks by Donald Thomson
Research Fellow in the University of Melbourne
Before the war Dr. Thomson spent more than two years alone among the aborigines of Arnhem Land, an area of some 70,000 square miles in the Northern Territory of Australia. In these talks he speaks of his mission to establish friendly relations with the natives, and of its results.

Contributors

Unknown:
Donald Thomson

Third Programme

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More