Klavierfibung
Three Chorale Preludes on Allein Gott in der Hoh' sei Ehr'
Two Chorale Preludes on Diess sind die heil'gen zehn Gebot'
Two Preludes on Wir glauben all' an einen Gott played by Geraint Jones (organ)
From St. Gabriel's, Cricklewood

Prose readings In Interludes between programmes this week have been selected by Christopher Pemberton from the Journals of Eugene Dela croix, translated by Walter Pach

Hedli Anderson (reciter)
Margaret Field-Hyde (soprano)
Peter Stadlen (piano)
London Symphony Orchestra
Chamber Ensemble
Director, Francis Chagrin
Machines Agricoles: six pastorals for voice and seven instruments
Milhaud
7.13 app. Trois Poesies de la Lyrique
Japonaise (Maurice Delege ), for voice and nine instruments
Stravinsky
7.20 app. PIERROT LUNAIRE: three times seven poems by Albert Giraud (German translation by Otto Erich Hartleben), for recitation with instrumental accompaniment
Schoenberg
1
Mondestrunken; Colombine; Der Dandy; Eine blasse Wascherin; Valse de Chopin; Madonna; Der kranke Mond
«
Die Nacht; Gcbet an Pierrot; Raub; Rote Messe; Galgenlied; Enthauptung; Die Kreuze
3
Heimweh; Gemcinheit; Parodie; Der Mondfleck; Serenade; Heimfahrt; 0 alter Duft
(Directed from the piano by Peter Stadlen )

Kathleen Bliss discusses the most recently published section of Karl Barth 's' Dogmatik '
Karl Barth 's ' Dogmatik ' is still being published and will not be finished for some years. In the most recently published section he returns to a discussion of the doctrine of the creation and gives his opinions of the views put forward by Simone de Beauvoir. Dr. Kathleen Bliss , who recently reviewed Simone de Beau voir's book in the Third Programme, talks about Barth's comments and his doctrine of the creation, and refers to recent conversations she had with him on this subject.

A play by Henry de Montherlant
Translated from the French and adapted for radio by Henry Reed
Production by E. A. Harding
During the performance of the play there will be a fifteen-minute interval, beginning at approximately 9.25, when the following will be broadcast:
Mozart
Divertimento in B flat
(K.App.229, No. 3) played by Leopold Wlach (clarinet) Franz Bartosek (clarinet)
Karl Oehlerberger (bassoon) on gramophone records

Betty-Jean Hagen (violin)
Wilfrid Parry (piano)

Arthur Calder-Marshall reflects on the technical problems of treating time in the novel

Mass: Pater Creator omnium
Motet: Gaude flore virginal! sung by the BBC Scottish Singers
Conducted by John Hopkins
(The recorded broadcast of Nov. 20)