Klavlerubung
Prelude in E flat (pro organo pleno) Chorale Preludes:
Kyrie. Gott Vater in Ewigkelt (manualiter): Christe aller Welt Trost (manualiter): Kyrie, Gott herliger Geist (manualiter); Kyrie, Gott Vater in Ewigkeit (canto fermo in soprano): Christe aller Welt Trost (canto fermo in tenore); Kyrie, Gott heiliger Geist (canto fermo in basso) played by Geraint Jones (organ)
From St. Gabriel's, Cricklewood
A new and unpublished poem by Rayner Heppenstall
Read by Cecil Trouncer and Lydia Sherwood
(The recorded broadcast of Jan. 2)
Act 1: Outside the Bailiff's house. July
by John McDonnell
John McDonnell talks about the traditionally independent spirit of the Spanish Basques as he saw it during a recent visit to the province of Guipuzcoa.
Act 2: Wetzlar square. September
Talk by Harvey Breit
Assistant editor of the New York Times book section
To be repeated tomorrow at 6.45
Act 3: Albert's house. Christmas Eve
Act 4: Werther's study
Arthur Jacobs writes on page 7
Talk by Richard M. Titmuss, Professor of Social Administration in the University of London
The title of this talk is a quotation from the last chapter of a booklet 'The Social Services: Needs and Means' by lain Macleod, M.P., and J. Enoch Powell, M.P., recently published by the Conservative Political Centre for discussion groups. Professor Titmuss examines this essay on the relationship between the social services and the means test, and suggests that the authors have not recognised the full implication of their analysis.
Adapted from the book by T. H. White
Production by Nesta Pain
T. H. White set out to train a goshawk by the methods of medieval falconry. The conflict between bird and man brought exhaustion, frustration, and disillusionment, as well as great joy, until a link was formed between them of ' pity on the one side and confidence on the other.*
(The recorded broadcast of Jan. 14)
Sonata No. 1 for violin and piano played by Maria Lidka (violin)
Margaret Kitchin (piano)
Robert Furneaux Jordan talks about the exhibition now on view at Burlington House
Four Impromptus, Op. 90 played by Artur Schnabel (piano) on gramophone records
