Nineteenth and Twentieth Centuries
Arthur Rimbaud : Larme; La chanson de la plus haute tour; Le dormeur du val
Stiphane Mallarmi : Le vierge, le vivace et le bel aujourd'hui
Francis Jammes : Priere pour aller au paradis avec les anes
Jules Laforgue : Complain te de l'oublie des morts
Paul Fort: Les baleines; La jeune fille morte dans ses amours; La ronde autour du monde
Guillaume Apollinaire : Les colchiques;
La chanson du mal-aime
Jules Supervielle : A l'homme
Jacques Prtvert : Je suis comme je suis; Familiale
Louis Aragon: Le temps des motscroises
Paul Eluard : Ta bouche aux levres d'or; La couibe de tes yeux
Readers: Pamela Stirling and Michel St. Denis
Last of four programmes

played by Millicent Silver (harpsichord)
Arnold Goldsbrough
(organ continuo)
(Continued in next column)
London Harpsichord Ensemble:
John Francis (flute) Joy Boughton (oboe)
Manoug Parikian (violin)
Hans Geiger (violin)
Ambrose Gauntlett tcello)
Fourth of a series of five programmes devised by Arnold Goldsbrough

The first of three talks by Desmond Shawe-Taylor
I-The Love Duet from Verdi's ' Otello ' as recorded by: Zenatello, Spani; Merit, Muzio:
Martinelli Jepson ; Lauri-Volpi. Caniglia; and others

by Federico Garcia Lorca
Translated by Roy Campbell
Revised and adapted for broadcasting by E. A. Harding and R. M. Nadal
The drama is in six scenes set in and about a village in Southern Spain
Characters:
(Continued in next column)
The Sisters-in-Law
Victor's song sung by Frederick Fuller
Solo guitars.
Julian Bream and Desmond Dupre
Music composed by Eduardo M. Torner
Production by E. A. Harding

BBC Symphony Orchestra
(Leader, Paul Beard)
Conducted by Sir Adrian Boult

Talk by the Rev. John Burnaby , Fellow of Trinity College, Cambridge.

Pierre Bernac (baritone)
Francis Poulenc (piano)

or the Politics of Staying Put The second of two talks by Christopher Salmon

Trio in B, Op. 8 played by the Trio di Trieste