Sonata in G minor, Op. 5 No. 2 played by Vera Canning (cello) and Ernest Lush (piano)
Second of five recitals of Beethoven's cello sonatas.
Golf, Dickens, and Women's Suffrage in 1913 by Bernard Darwin
Produced by Rayner Heppenstall
followed by-an Interlude at 7.10
(' Every Maid Her Own Mistress *)
Intermezzi by G. A. Frederico
English version by Geoffrey Dunn
Music by Pergolesi
Scene: Uberto's bedroom
Tne Boyd Neel Orchestra
(Leader, Maurice Clare )
Conducted by John Pritchard Winifred Davey (harpsichord)
See also 8.15
Four talks on the Christian conflict in history by the Rev. E. Gordon Rupp
3-History and. the ' Plan of Salvation '
('The Songstress')
Opera buffa in one act
Librettist unknown
English version by David Harris
Music by Haydn
The bailiffs (silent characters)
Scene: Villa Zuffoli , rented by Don Pelagio for Gasparina and her parents
The Boyd Neel Orchestra
Conducted by John Pritchard Winifred Davey (harpsichord)
Operas produced by Geoffrey Dunn
Read by V. C. Clinton-Baddeley
Verse in which the words are the simple ones of everyday speech and the mood that of familiar conversation or narrative.
Gareth Morris (flute)
Terence MacDonagh (cor anglais)
Ernest Lush , John Wills (pianos)
Philharmonia Orchestra
(Leader, Max Salpeter )
Conducted by Ernest Ansermet
Talk by Seton Lloyd, O.B.E., F.S.A ., Director of the British Institute of Archaeology, Ankara
The speaker describes the excavations in Mesopotamia which have revealed remains of the ancient city-state of Eshnunna and which give a detailed picture of Babylonian life in the nineteenth and twentieth centuries B.C. He speaks in particular about the law tablets found in the miniature city at Tell Harmal, and of their provisions for regulating civil life in Eshnunna.
Edward: Sleep: Down by the Salley Gardens: Blaweary; Nine of the Clock; Black Stitchel ; Last Hours; Hawk and Buckle
Gordon Clinton (baritone)
Clifton Helliwell (accompanist)
Story by George Orwell
Read by Arthur Bush
(The recorded broadcast of April 7)
Piano Sonata No. 2. in G minor
Op. 22 played by Kathleen Long on gramophone records
