See foot of page
(BBC recording)
(To be repeated on April 21)

"The End of Fear"
by Denis Saurat
Translated by Philip Mairet
Adapted for broadcasting and produced by Terence Tiller
with Musique Concrete by Tristram Cary

Peter Pears (tenor)
Benjamin Britten (piano)
Ganymed; Beherzigung: Spottlied
(Goethe Lieder)
Der Scholar
(EichendorfC Lieder)
Heimweh; Der Gärtner; Bei einer Trauung ;
Schlafendes Jesuskmd
(Morike Lieder)
Die du Gott gebarst; Fiihr' mich, Kind nach Bethlehem
(Spanisches Liederbuch)
Wie sollt' ich heiter bleiben; Komm,
Liebchen, komm; Wcnn ich dein gcdenke
(Goethe Lieder)
Last of a series of six programmes

Speakers:
Herbert Howells, King Edward Professor of Music in the University of London
The Rev. Erik Routley, Minister of the Augustine-Bristo Congregational Church, Edinburgh
Alec Robertson

In a book Church Music and Theology, published last year, Erik Routley argued the relevance of moral theology and doctrine to the composition and performance of church music. Alec Robert son invites Dr. Routley, as a historian and critic of church music, and Dr. Howells, as a leading composer in this field, to comment on an argument which raises issues of principle and practice. The discussion is illustrated with recorded excerpts of English church music, ranging from Victorian anthem to ' anglicised' Gelineau chant and Beaumont's Folk Mass.

Piano Quintet played by the Quintetto Chigiano:
Riccardo Brengola (violin)
Mario Benvenuti (violin)
Giovanni Leone (viola)
Lino Filippini (cello)
Sergio Lorenzi (piano) on a gramophone record