Quartet No. 4 played by the Blech String Quartet:
Harry Blech (violin)
Lionel Bentley (violin) Keith Cummings (viola) Douglas Cameron (cello)

Illustrated talk by William Glock

Janet Fraser (contralto)
Jacques Orchestra
(Leader, Irene Richards )
Conductor, Reginald Jacques

Talk by Honor Tracy

by Joyce Grenfell and Stephen Potter
Including How Not To. How You Ought To. and How You Won't

Alfred Deller (counter-tenor) George Rizza (counter-tenor)
Duncan Thomson (counter-tenor)
Harry Barnes (tenor)
Maurice Bevan (baritone) Norman Platt (baritone)
Consort of Viols of the Schola Cantorum Basiliensis:
August Wenzinger
(treble viol and viola da gamba)
Marianne Majer (tenor viol)
Hannelore Muller (tenor viol)
Gertrud Fltigel (bass viol)
John Wills (harpsichord)

The Plans in Perspective by Professor W. G. Holford , joint author of the City of London plan
The replanning of capital cities has more than a local and material significance. The speaker considers the London plans as a whole, and their importance to the idea of civilisation. He looks at the difficulties of planning on this scale in relation to the available means of achieving it.
Last of a series of four programmes

The Art of Fugue (Part 3)
Prepared for performance by Leonard Isaacs played by the London Harpsichord Ensemble:
John Francis (flute, bass flute)
Joy Boughton (oboe, cor anglais)
Peter Graeme (oboe d'amore)
Edward Wilson (bassoon)
Peter Parry (bassoon)
Manoug Parikian (violin)
Hans Geiger (violin) Bernard Davis (viola)
George Roth (cello)
Ambrose Gauntlett (cello) Adrian Beer s (double-bass)
Millicent Silver (harpsichord)

A verse anthology
Edited and produced by Terence Tiller
Readers: Dennis Arundell
Nicolette Bernard , Olive Gregg
Robert Marsden

Violin Concerto played by Charles Barkel (violin)
Swedish Broadcasting Symphony Orchestra
Conducted by the composer

by Sir Robert Watson-Watt, F.R.S.
President of the Society