Programme Index

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Joan Cross (soprano)
Peter Pears (tenor)
George James (bass) Olive Zorian (violin)
Marjorie Lavers (violin)
Norina Semino (cello)
Boris Ord (piano)
I spy Celia
What can we poor females do? Ye twice ten hundred deities
Sonata of four parts, in F (The
Golden Sonata)
Job's Curse Alleluia
In guilty night (Saul and the Witch of Endor)

Contributors

Soprano:
Joan Cross
Tenor:
Peter Pears
Bass:
George James
Violin:
Olive Zorian
Violin:
Marjorie Lavers
Cello:
Norina Semino
Piano:
Boris Ord

A biographical symposium of poems, letters, and dramatic fragments by Thomas Lovell Beddoes to mark the centenary of his death programme compiled by John Keir Cross and Montague Shaw
Speakers:
Alan Wheatfey , Valentine Dyall
Laidman Browne , Anthony Jacobs
Patricia Jessel , Robert Marsden
The music for the songs composed by Leslie Bridgewater
Producer, Noel Iliff

Contributors

Unknown:
Thomas Lovell Beddoes
Unknown:
John Keir Cross
Unknown:
Montague Shaw
Unknown:
Alan Wheatfey
Unknown:
Valentine Dyall
Unknown:
Laidman Browne
Unknown:
Anthony Jacobs
Unknown:
Patricia Jessel
Unknown:
Robert Marsden
Composed By:
Leslie Bridgewater
Producer:
Noel Iliff

(Continued)
This symphony has been described as a picture of childhood. Bruno Walter claims that in it Mahler ' assures himself and us of a sheltered security in the sublimely serene dream of a heavenly life. The finale is a setting for soprano and orchestra of the poem ' A Child's Vision of Heaven,' from ' Des Knaben Wunderhorn '

Contributors

Unknown:
Bruno Walter

Selections from Wilfred Owen , Siegfried Sassoon , Alun Lewis , and Sidney Keyes
Readers: Reginald Beckwith Norman Claridge , Basil Jones Produced by James McFarlan
(Illustrating last Monday's talk)

Contributors

Unknown:
Wilfred Owen
Unknown:
Siegfried Sassoon
Unknown:
Alun Lewis
Readers:
Sidney Keyes
Readers:
Reginald Beckwith
Readers:
Norman Claridge
Produced By:
James McFarlan

Third Programme

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More