Australia v. England
Third day
From Melbourne
For full details see page 10
Overture: La belle Hélène (OBenbach)
SUISSE ROMANDE ORCHESTRA
Conducted by ERNEST ANSERMET
8.20* Rapsodie espagnole (Ravel) PHILADELPHIA ORCHESTRA
Conducted by EUGENE ORMANDY
8.37* Symphonic Dances: West
Side Story (Bernstein)
NEW YORK Philharmonic ORCHESTRA Conducted by THE COMPOSER on gramophone records
and Weather Forecast
Debussy Rondes de printemps (Images) LONDON SYMPHONY ORCHESTRA
Conducted by PIERRE Monteux
9.12* Récit et air de Lia (Lenfant prodigue)
Victoria DE LOS ANGELES with the PARIS CONSERVATOIRE ORCHESTRA Conducted by GEORGES PRETRE
9.18* La mer
PHILHAHMONIA ORCHESTRA
Conducted by CARLO MARIA GIULlNI on gramophone records
Recently released records
Symphony No. 6, in D major (Le matin) (Haydn)
LITTLE ORCHESTRA OF LONDON Conducted by LESLIE JONES
10.4' Stabat Mater (Rossini) MARTINA ARROYO (soprano)
BEVERLEY WOLFF (mezzo-soprano) TITO DEL BIANCO (tenor) JUSTINE Diaz (bass)
THE CAMERATA SINGERS and the NEW YORK PHlLHARMONIC ORCHESTRA Conducted by THOMAS SCHIPPERS
BERNARD SUMNER
(piano and harpsichord)
SALTIRE SINGERS
Patricia Clark , Jean AHister
Eduar Fleet ,
Frederick Westcott EDINBURGH QUARTET
Miles Baster, Austin Patterson Philip Clark. David Edwards
MARGARET PRICE (soprano)
WILLIAM FELLOWES (piano)
BBC SYMPHONY ORCHESTRA Leader. Hugh Maguire
Conducted by SIR MALCOLM SARGENT
Part 1
and Weather Forecast
FRITZ SPIEGL. looks at some non-broadcast musical events taking place in London and the South-East during the coming weekend
Part 2
Part of a Promenade Concert, the first half of which was broadcast from the Royal Albert Hall. London. on August 21. 19ti5
The fourth of seven weekly programmes of excerpts from the second biennial festival given at the Bavarian Radio Station in Munich
This week:
BAVARIAN RADIO ORCHESTRA
Conducted by MIIJENKO PROHASKA
JOHANNES Putz and JIRI STAREK and the BERLIN RADIO ENSEMBLE Conducted hy KURT KIERMEIR play contributions from Yugoslavia, Germany and Czechoslovakia SANDOR KOROLYI (violin)
KAHL-BERNHAHD SEBON (flute)
Recordings made available by courtesy of Bavarian Radio
(soprano)
0 Dieu! que de bijoux! (Jewel
Songi (Act 3, Faust) (Gounod)
PARIS OPERA ORCHESTRA
Conducted by ANDRE CLUYTENS
2.36* L'amour est un oiseau rebelle
(Act 1. Habanera) (Bizet)
Carreau! pique (Card Scene) (Act
3, Carmen) (Bizet)
DENISE MONTEIL
MONIQUE LINVAL (sopranos)
FRENCH NATIONAL RADIO CHORUS AND ORCHESTRA
Conducted by SIR THOMAS BEECHAM
2.45* Un bel di; Tu? Piccolo iddio!
(Act 2, Madam Butterfly) (Puccini)
2.53* Overture: Le maschere
(Mascagni
ROME OPERA ORCHESTRA
Conducted by GABRIELE SANTINI on gramophone records
This programme is being broadcast experimentally on the Zenith-G.E. pilot tone stereophonic system from the VHF transmitters at Wrotham and Dover. Kent To hear the programme in stereophony a special receiver, or an adapter for use with an existing receiver, is necessary. Listeners with normal VHF receivers will hear the programme monophonically as usual.
by NICHOLAS DANBY and RICHARD POPPLEWELL
Chorale Prelude on Wachet auf. ruft uns die Stimme (S.645)Bach played by Richard Popplewell played by Nicholas Danby
From the Temple Church, London by permission of the Treasurer and Masters of the Bench of the Inner and of the Middle Temple
Elgar
The Dream of Gerontius
JANET BAKER (contralto)
RICHARD Lewis (tenor)
Kim BORG (bass)
HALLÉ CHOIR
SHEFFIELD PHILHARMONIC CHORUS
AMBROSIAN SINGERS
HALLÉ ORCHESTRA
Conducted by SIR JOHN BARBIROLLI on gramophone records
Seven h of twenty-four programmes
Next Monday: War Requiem (Britten)
String Quartet in C major, Op. 33
No. 3 (Bird) (Haydn)
JANACEK QUARTET
Jjri Travnicek (violin) Adolf Sykora (violin) Jiri Kratochvil (viola) Karel Krafka (cello)
5.32' Rondino in E flat major
'(Beethoven)
LONDON WIND SOLOISTS
Directed by Jack BRYMER
Terence MacDonagh (oboe) James Brown (oboe)
Jack Brymer (clarinet) Walter Lear (clarinet) Alan Civil (horn) Ian Beers (horn)
Roger Birnstingl (bassoon) Ronald Waller (bassoon) on gramophone records
(piano)
Mozart Sonata in B flat major (K.333)
Chopin
6.0- Trois nouvelles études
6.8* Three Mazurkas:
F minor, Op. 7 C major, Op. 24
B flat minor, Op. 24
6.18* Barcarolle in F sharp major
50-80 w.p.m.
Compiled by Joyce HARBISON
80-100 w.p.m. Wednesday 6.30 p.m. A booklet is available
Everyday German by radio
Lesson 19
Introduced by SABINE MICHAEL and DIETER GEISSLER with Heidi Treutler , Paul Hansard David Hadda , Angelika Sahla
Written and produced by Edith R. Baer
First broadcast on June 29, 1965
Repeated on Saturday at 10.45 a.m. (Home)
A booklet Is available
A series of seven talks on the scope of sociological studies and the contribution they can make to our understanding of contemporary society, illustrated by examples from recent research
7: Sociology today: the challenge by RONALD FLETCHER
Professor of Sociology University of York
Produced by Rosemary Jellis
recalls the birth and growth of English ballet
In conversation with CARL WILDMAN
For forty years Dame Marie has encouraged British choreographers. dancers, and designers to develop the talents which she has divined in them. Through her, larger companies have been enriched with vital elements-for example, the Royal Ballet with its Director and Principal Choreographer, Sir Frederick Ashton-while to this day she has ceaselessly fostered her own School and Company.
Third of six public concerts presented by the Third Programme in the Royal Festival Hall
Amadeus String Quartet NORBERT BRAININ (violin) SIEGMUND NISSEL (violin) PETER SCHIDLOF (Viola) MARTIN LOVETT (cello)
Part 1
Talks on aspects of child development
by Gordon Trasler, Professor of Psychology Southampton University
Why do some children 'learn to behave,' while others do not? Recent evidence relating criminality to styles of child training may give us a clue.
(Security and Anxiety, by Dr. John Bowlby: February 20)
Part 2
Vladimir Ashkenazy (piano), London Wind Soloists, Margaret Price
(soprano), Dartington String Quartet. Beethoven: Quintet in E Sat major. Op. 16; Schoenbere: Quartet No. 2; Mozart: K.452
A sequence of poems by Henry Reed
Naming of Parts
Judging Distances
Movement of Bodies
Unarmed Combat
Returning of Issue
Spoken by HENRY REED and FRANK DUNCAN
Produced by Douglas Cleverdon
Naming of Parts is probably the best-known poem of the second world war and is now, incredibly, considered an appropriate subject for school examinations. It was first published in 1946 with Judging Distances and Unarmed Combat in Henry Reed's A Map of Verona. Movement of Bodies appeared in The Listener some years later. The final poem, Returning of Issue, was completed a short time ago.
Records of some of his piano music played by Louis KENTNER
