Programme Index

Discover 11,128,835 listings and 278,041 playable programmes from the BBC

Overture: La vie parisienne
(Offenbach)
ROYAL PHlLHARMONIC ORCHESTRA Conducted by VILEM TAUSKY
7.9* Ballet Music (Act 5, Faust)
(Gotmod)
ROYAL OPERA HOUSE ORCHESTRA COVENT GARDEN
Conducted by GEORG SOLTI
7.25* Scherzo (Piano Concerto No.
2, in G minor) (Saint-Saëns)
ARTUR RUBINSTEIN (piano) with the NF.w YORK SYMPHONY or THE AIR Conducted by ALFRED WALLENSTEIN
7.32' Ballet Suite: Mam'zelle
Angot (Lecoq, arr. Jacob)
ROYAL OPERA HOUSE ORCHESTRA COVENT GARDEN
Conducted by ANATOLE FISTOULARI on gramophone records

Contributors

Conducted By:
Vilem Tausky
Conducted By:
Georg Solti
Piano:
Artur Rubinstein
Conducted By:
Alfred Wallenstein
Conducted By:
Anatole Fistoulari

A request programme of records Prelude and Spitfire Fugue
(Walton)
HALLE ORCHESTRA
Conducted by THE composer
8.13* Clarinet Concerto in A major
(K.622) (Mozart)
GERVASE de PEYER with the LONDON SYMPHONY Orchestra Conducted by Peter MAAG
8.43* The Rio Grande (Lambert)
GLADYS RIPLEY (contralto)
KYLA GREENBAUM (piano)
PHILHARMONIA ORCHESTRA AND CHORUS
Conducted by THE COMPOSER

Contributors

Conducted By:
Peter Maag
Contralto:
Gladys Ripley

Piano Quintet No. in C minor
(Berwaldi
11.25* Songs (Duparc)
L'invitation au voyage Extase: Phidyle
11.40' Siring Quartet No. 1, In D major (Tchaikovsky)
BENTHIEN Quartet with Robert RIEFLING (piano)
GERARD SOUZAY (baritone) DALTON BALDWIN (piano)
KROLL. Quartet on gramophone records

Contributors

Piano:
Robert Riefling
Baritone:
Gerard Souzay
Piano:
Dalton Baldwin

PETER FRANKL (piano)
LONDON WIND PLAYERS Janet Craxton (oboe) James Brown (oboe) Thea King (clarinet)
Robert Baker (clarinet)
Walter Lear (basset-horn)
Michael Whewell (basset-horn) Cecil James (bassoon)
Stefan de Haan (bassoon) Colin Horton (horn)
Anthony Chidelt (horn) Terry Johns (horn)
Martin Shillito (horn)
John Gray (double-bass)
LONDON MOZART PLAYERS Leader. Meyer Stolow
Conductor. HARRY BLECH
Mozart: Part 1 '
Masonic Funeral Music (K.477)
12.13* Serenade No. 10, in B flat major (K.361)

Contributors

Oboe:
Janet Craxton
Oboe:
James Brown
Clarinet:
Thea King
Clarinet:
Robert Baker
Basset-Horn:
Walter Lear
Basset-Horn:
Michael Whewell
Bassoon:
Cecil James
Horn:
Colin Horton
Horn:
Anthony Chidelt
Horn:
Terry Johns
Horn:
Martin Shillito
Double-Bass:
John Gray

William Hathias talks about his work and introduces
Divertimento, Op. 24
MABILLON TRIO
William Bennett (flute) Philip Jones (oboe)
Susan Bradshaw (piano)
Piano Trio. Op. 30
TUNNELI. Trio
John Tunnell (violin)
Charles Tunnell (cello) Susan Tunnel) (piano)
First broadcast performance of both works

Contributors

Talks:
William Hathias
Flute:
William Bennett
Oboe:
Philip Jones
Piano:
Susan Bradshaw
Violin:
John Tunnell
Cello:
Charles Tunnell

DUNCAN ROBERTSON (tenor)
CHARLES SPINKS (harpsichord)
LONDON STRING Quartet
Carl Pini (violin)
John Tunnell (violin)
Keith Cummings (viola) Douglas Cameron (cello)
Edmund Spenser
Five sonnets from his AmoretU set by the 18th-century composer MAURICE GREENE for voice and harpsichord
5.17* and also by EDMUND RUBBRA for voice and string quartet
The sonnets are:
Lacking my love; Fresh Spring; Marke when she smiles; What guile is this: Like as the Culver

Contributors

Tenor:
Duncan Robertson
Harpsichord:
Charles Spinks
Violin:
Carl Pini
Violin:
John Tunnell
Viola:
Keith Cummings
Cello:
Douglas Cameron
Cello:
Edmund Spenser
Unknown:
Maurice Greene
Unknown:
Edmund Rubbra

Lesson 17: Un coup de téléphone Introduced by KATIA ELLIS with the help of Louis Bloncourt
Written and produced by Elsie Ferguson
Language consultant, Paul Couster
First broadcast on February 1. 1965
Repeated on Saturday at 11.10 a.m. in the Home Service
A booklet and records are available

Contributors

Introduced By:
Katia Ellis
Unknown:
Louis Bloncourt
Produced By:
Elsie Ferguson
Unknown:
Paul Couster

Studies in Form
A series on some formal conventions and their use in particular works
Mahler: Symphony No. 9
The last of three illustrated talks by DERYCK COOKE
A performance of Mahler's Ninth Symphony can be heard at 12.45 p.m. on February 20 in the Music Programme
Produced by Peter Dodd
A list of works being studied In this series can be obtained by writing to Further Education Department. [address removed]. enclosing a stamped addressed envelope.

Contributors

Unknown:
Deryck Cooke
Produced By:
Peter Dodd

In this edition
Michael BILLINGTON on the National Theatre's production of A Flea in her Ear, a translation by John -Mortimer of Georges Feydeau's
La Puce d l'OreiUe
Frank DUNLOP talks about his new non-profit-making Company ' Pop Theatre ' to RONALD BRYDEN
The Company's first production. ' Saturday Night and Sunday MornIng.' which Mr. Dunlop originally directed at the Nottingham Play-house, opened last week at the Prince of Wales Theatre. London
Produced by Philip French

Contributors

Unknown:
Michael Billington
Talks:
Frank Dunlop
Unknown:
Ronald Bryden
Produced By:
Philip French

A programme compiled from St. Teresa's writings by Hugh Ross Williamson
Others taking part:
Eric Anderson , Anthony Hall Peter Marinker , Anna Burden Noel Hood , Eva Haddon
Jane Wenham , Patricia Leventon and Betty Huntley-Wright Narrator, BASIL JONES
Music composed by ELIZABETH POSTON and sung by MEMBERS of THE CHORUS OF the ROYAL OPERA HOUSE COVENT GARDEN
Conducted by DOUGLAS ROBINSON with DESMOND DUPRÉ (guitar) and JAMES BLADES (tambourine)
Produced by HALLAM TENNYSON
To be repeated on February 28

Contributors

Unknown:
Hugh Ross Williamson
Unknown:
Eric Anderson
Unknown:
Anthony Hall
Unknown:
Peter Marinker
Unknown:
Anna Burden
Unknown:
Noel Hood
Unknown:
Eva Haddon
Unknown:
Jane Wenham
Unknown:
Patricia Leventon
Narrator:
Betty Huntley-Wright
Composed By:
Elizabeth Poston
Conducted By:
Douglas Robinson
Produced By:
Hallam Tennyson
St Teresa of Avila:
Mary Wimbush
with Teresa's father, Don Alonso her spiritual adviserand Fr Jerome Gracian Sister Ann Elizabeth Proud:
John Justin

Nine programmes on continuity and change in modern society
6: Continuity aifd change in economics: the ' Keynesian Revolution ' by W. B REDDAWAY ,
Director of the Department of Applied Economics in the University of Cambridge
In the 1930s economists-and governments — were mainly occupied with the problems of reducing unemployment and securing recovery from the Depression. Now the stress is on labour shortage and economic growth. Does this change represent a complete ' Keynesian Revolution '; or does a large element of rrmtinuity persist in the economic sphere?
Benjamin Frankel on musical composition: February 17

Contributors

Unknown:
W. B Reddaway
Unknown:
Benjamin Frankel

Second of five fortnightly programmes including songs by Schoenberg and others
Lieder der Konigin Maria
Stuart.................. Schumann Abschied von Frankreich
Nach der Geburt thres Sohnes An die Konigin Elisabeth Ahschied von der Welt Gebet
10.16* Freihold; Hochzeitslied;
Wie Georg zu Frundsberg von sich selber sang...Schoenberg
10.24' Der Schildwache Nachtlied; Lob des hohen Verstandes; Des Antonius von Padua Fischpredigt.... Mahler
10.36* Two Ballads, Op 12...Schoenberg
Jane Grey
Der verlorene Haufen
APRIL CANTELO (soprano) ROBERT TITZE (baritone) PAUL Hamburger (piano)
Series devised by Leo Black
Schoenberg and Strauss (Janet Baker, Geoffrey Parsons, Michael Langdon, Edward Downes): February 25 followed by an interlude at 10.55

Contributors

Unknown:
Konigin Elisabeth
Unknown:
Des Antonius
Unknown:
Schoenberg Jane Grey
Unknown:
Leo Black
Unknown:
Janet Baker
Unknown:
Geoffrey Parsons
Unknown:
Michael Langdon
Unknown:
Edward Downes

Network Three

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More