Programme Index

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(D)
Leader, Alfred Barker
Conducted by H. Foster Clark
Suite, La Cigale (The Grasshopper)
Massenet
1 Waltz, Whirlwind. 2 Cantabile (The Divine Kiss). 3 Variations (By Moonlight). 4 Old Carol and Grasshoppers' Dance
Though bearing a late opus-number, Mendelssohn's so-called 'Trumpet Overture' is an early work - earlier even than that to A Midsummer Night's Dream - dating from the autumn of 1825, when the composer was only sixteen. It was first performed at a concert in Berlin on November 2 of that year, when the young composer also played the piano part in Beethoven's Choral Fantasia.
The overture was a special favourite of the composer's father, who said he would like to hear it when the time came for him to die. It long remained in manuscript-the Royal Philharmonic library contains a copy with corrections made by the composer - and was not published until many years after Mendelssohn's death.

Contributors

Leader:
Alfred Barker
Conducted By:
H. Foster Clark

@ World History
Stories that are History
' The Horn of Roland'
RHODA POWER
'Mighty is the woe at Ronceval. There is no knight or baron but weeps right sore for pity. They weep for their sons and brothers and nephews and for their friends and for their liege lords.'-The Song of Roland.
Charles the Great was Emperor of the Franks, and Roland was a famous warrior. The story this afternoon is one which the people of the Middle Ages loved to hear when they sat feasting in the great halls of their castles.

2.30 Biology in the Service of @ Man
'The Balance of Nature upset by Man'
- H. MUNRO Fox , F.R.S.
In Britain there used to be wild boars, lynxes, bears, and reindeer. They lived in the forests that covered most of the country. These animals have disappeared because there are no longer any large forests. The forests have been used for building and for firewood, while sheep and rabbits have eaten the young trees. Rabbits taken to Australia have done immense harm by eating grass.which should have fed sheep. Stoats taken to Australia to kill the rabbits killed
Australian animals instead. English birds taken to New Zealand have become pests there. This is an outline of the talk that Dr. Munro Fox is to give todas'.

Contributors

Unknown:
H. Munro Fox
Unknown:
Dr. Munro Fox

An Orchestral Concert
Arranged and presented by Herbert Wiseman
The BBC Scottish Orchestra
Leader, J. Mouland Begbie

The production of Der Freischutz in Berlin on June 18, 1821, marked the birth of romantic opera. Wagner described Weber's masterpiece as the focus of the expression of all German patriotic feeling in the period following the War of Liberation against Napoleon. The overture perfectly sums up the opera, both musically and in general feeling. The magic music of the four horns at the beginning, the restless syncopations that follow, the lovely clarinet melody a little later, and the fire of the triumphant conclusion are unforgettable.

Contributors

Arranged and presented by:
Herbert Wiseman
Musicians:
The BBC Scottish Orchestra
Leader:
J. Mouland Begbie

from St. Paul's Cathedral

Order of Service:
Psalms, xlvii, xlviii, xlix
Lesson, Jeremiah xxx, 1-22
Magnificat (Gray in A)
Lesson, Acts xviii, 1-23
Nunc Dimittis (Gray in A)
Anthem, Beati quorum via (Stanford)
Beati quorum via integer est et ambulant in lege Domini. (Blessed are they whose way is undefiled and who walk in the law of the Lord)
Hymn, Pray when the morn is breaking (E.H. 473)

Marketing Schemes'
Anthony Hurd
Last week Anthony Hurd told listeners where farming stands today. This week he is going to speak in a little more detail about the various market-inn schemes. This talk is preliminary to a succession of broadcasts in which he will interview the chairmen of the various marketing boards.

Contributors

Unknown:
Anthony Hurd
Unknown:
Anthony Hurd

Kathleen Moorhouse (violoncello)
Frank Merrick (pianoforte).
Max Reger was a modem disciple of Bach, and in his works something of the style of Bach is revealed. He found his most congenial mediums of expression in chamber and organ music, though he composed in every form. His music is often characterised by facile fluency, often akin to improvisation, but in his higher flights he attained the level of a real master. His counterpoint, always scholarly, is sometimes rather ornate ; his themes sometimes imitative, are nevertheless strong, and his workmanship is always that of a - consummate musician.

Contributors

Unknown:
Kathleen Moorhouse
Pianoforte:
Frank Merrick
Unknown:
Max Reger

Season 1937-8
Twelfth Concert from the Queen's Hall, London
(Sole Lessees, Messrs. Chappell and Co. Ltd.)
Sopranos: Stiles-Allen, May Blyth, Laelia Finneberg. Contraltos : Muriel Brunskill , Margaret Balfour. Tenor: Walter Widdop. Baritone: Harold Williams. Bass:
William Parsons
The Philharmonic Choir
(Hon. Conductor,
Charles Kennedy Scott )
A Chorus of Boys
(Choristers from the London Choir
School)
The BBC Symphony Orchestra
(Leader, Paul Beard ) conducted by SIR HENRY J. WOOD
Overture in G minor Bruckner
8.28 Symphony No. 8, for soloists, choir, chorus of boys, and orchestra
Mahler
Part 1
Hymnus: Veni, Creator spiritus

Contributors

Contraltos:
Laelia Finneberg.
Contraltos:
Muriel Brunskill
Tenor:
Margaret Balfour.
Tenor:
Walter Widdop.
Bass:
Harold Williams.
Bass:
William Parsons
Conductor:
Charles Kennedy Scott
Leader:
Paul Beard
Conducted By:
Sir Henry J. Wood

Part 2
Tickets may be obtained from the British Broadcasting Corporation, Broadcasting House, Portland Place, W.1, [address removed], and the usual Agents. Prices (including Entertainment Tax) : 10s. to 2s.

Contributors

Magna Peccatrix:
Stiles Allen
Una Poenitentium:
May Blyth
Mater Gloriosa:
Laelia Finneberg
Mulier Samaritana:
Muriel Brunskill
Maria Aegyptiaca:
Margaret Balfour
Doctor Marianus:
Walter Widdop
Pater Ecstaticus:
Harold Williams
Pater Profundus:
William Parsons

National Programme Daventry

About National Programme

National Programme is a radio channel that started transmitting on the 9th March 1930 and ended on the 9th September 1939. It was replaced by BBC Home Service.

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More