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Quintette Instrumental de Paris
(Ren6 le Roy (flute), Pierre Jamet (harp), Ren6 Bas (violin), Pierre Grout (viola), Roger Boulm é (violoncello)) : Sonata for Flute and Strings (Scarlatti) -Allegro moderato et adagio ; Fugue ; Largo;
Allegro Marcel Darrieux (violin),
Marcel Moise (flute), Pierre Pasquier (viola): Serenade, Op. 2.5 (Beethoven)—Entr'acte ; Menuetto ; Andante con variazoni ; Adagio ; Allegro vivace ; Disinvoltd

Contributors

Flute:
Pierre Jamet
Violin:
Pierre Grout
Viola:
Roger Boulm
Violin:
Allegro Marcel Darrieux
Violin:
Marcel Moise
Flute:
Pierre Pasquier

British History-6
' The Christian Churches '
RHODA POWER
Ireland was an important factor of the growth of Christianity in England. Aidan and Columba spread the faith in the North, and most of the northern and western Britons were eventually converted through Celtic influences.
Meanwhile, Rome was busy. St.
Augustine was sent to England to lead a mission, and this task he fulfilled with remarkable success. ]ndeed, it is not too much to say that this saint who later was to become the first archbishop of Canterbury, was virtually the founder of the Christian Church in Southern England.
The position developed into one in which there were two forms of Chris.tianity in Britain : the Celtic and the Roman. This afternoon Rhoda Power will tell listeners of these early missions, and explain how St. Wilfred of Ripon succeeded in reconciling the two factions and eventually persuading them to acknowledge the Pope as head of the Christian Church.

Leader, BERTRAM Lewis
Conductor, RICHARD AUSTIN
Solo Oboe, LEON GOOSSENS
Corelli's 'Great Concertos' (Concerti grossi) are similar in their general planning and instrumental grouping to those of Handel, which have often been represented in radio programmes and described in these columns. The stringed orchestra for which they are designed consists of a small group that often works independently in a manner akin to that of solo playing and a larger group that acts in support.
Handel's first set of oboe concertos (' Concertos for Hoboys and Violins ') was published by Walsh in 1734, as Opus 3. In 1741, the year of the Messiah, Walsh published a new collection of instrumental pieces under the title ' Select Harmony '. Part IV of 'Select Harmony ' consisted of concertos by Handel, Tartini, and Veracini, and it is the second of Handel's three contributions that Mr. Goossens is playing this afternoon. It consists of four movements : a slow movement full of golden, typically Handelian melody; a fine symphonic allegro, a delicious little siciliano, and a quick dance-like finale. The whole work is one of Hande]'s most characteristic and most delightful instrumental compositions.
Despite the fact that Brahms's four symphonies differ from each other both in emotional impulse and in various details of design, they are aesthetically of equal importance and belong to a symphonic style that may be described as romantic thought cast in a classical mould. The Symphony No. 4 in E minor is as lyrical and romantic in expression as most contemporary music of the time. But whereas so many of Brahms's contemporaries relied a great deal on a resplendent use of orchestral colouring to impress their ideas upon the listener, Brahms with a certain austerity allows the effect of his music to depend on its actual content and not upon its dressing.
Many admirers of Brahms consider the E minor Symphony the greatest of the four, but this is largely a matter of personal taste. Certainly its last movement is one of the greatest achievements in symphonic music-it is in passacaglia form : a set of variations on an eight-bar phrase.

Contributors

Leader:
Bertram Lewis
Conductor:
Richard Austin
Oboe:
Leon Goossens

The Complete Madrigals of Peter
Philips (e. 1,56o-c. 1628)
THE B B C SINGERS (A and B)
Conducted by Sir RICHARD RUNCIMAN
TERRY
Madrigali a 8 voci (Eight-part
Madrigals) (1598) (concluded) Donna mi fugg' ong' hora Se per gridar ohime
Passando cor pensier per un boschetto (2 parte) Noi starem troppo
(3 parte) Fuggendo tutte di pavra piene
Echo, Figlia
(2 parte) Echo che cosa e il fin d'amore

Contributors

Conducted By:
Sir Richard Runciman

J. A. SCOTT WATSON
(Professor of Rural Economy, University of Oxford)
The subject of tonight's talk is the Cider Industry. In recent years great efforts have been made to improve the quality of our home ciders, and so much success has been achieved that the demand for the better varieties of cider apples now greatly exceeds the supply. The speaker whom Professor Scott Watson is to bring to the microphone this evening is a member of the staff of the Long Ashton Research Station, near Bristol, which has been very actively engaged in Cider Research for many years. Dr. Charley himself is a leading expert on the subject.
He will explain the requirements of the cider maker, and discuss the industry from the farmer's point of view. He will touch on such points as the possibility of growing cider apples outside the traditional areas, and the possibility of producing earlier bearing trees.

Contributors

Unknown:
J. A. Scott Watson
Unknown:
Scott Watson

Adapted (by several hands) from Madame
ELEONORE KALKOWSKA'S
Polish Stage Play and Produced at the microphone by LANCE SIEVEKING
Even the events in the smallest print of all were probably very large in the lives of the people to whom they happened
We take five news items from the small print column. They are: i. A postcard sixteen years in the post
2. The suicide of a young musician 3. The Chancellor of the Exchequer acknowledges conscience money
4. A girl convicted of stealing a watch
5. A British firm gets a contract
Dramatis Personœ
Scene I: The Newspaper Office
Narrator
Editor Voices
Scene 2 : The Delayed Postcard
Landlady Paul (A Trapeze artist)
Tin-Whistle Teny (A down)
A Girl in the Circus Audience
Seem 3 : The Musician's Suicide
Robert Godfrey (the musician) Elaine (His wife) Walter (a friend)
Mr. Short (a cabaret proprietor)
Scene 4 : Conscience Money
Herbert Smythe-Smythe Winifred (his wife) Aunt Rowena
Scene 5 Girl convicted of theft
Anne Baker (the girl) Audrey (her friend)
Jack (Audrey's friend) Shopkeeper Constable
Scene 6 : British Firm gets a Contract
Roderigo Morales (A South American
Politician) i
Pedro (his Secretary)
Mr. James Henry William Robinson
(An English Business man)
And others
The cast includes the following
V. C. CLINTON-BADDELEY
ALLAN WADE
GEOFFREY SUMNER
BEATRICE GILBERT
PHILIP WADE
JOHN GABRIEL
CHERRY COTTRELL
DEERING WELLS
ELIOT MAKEHAM
VIVIENNE CHATTERTON
ANNE TWIGG
JOAN MATHESON
ARTHUR GOULLET
GEORGE CORMACK
MAISIE SWANN
BORIS RANEVSKY
HECTOR ABBAS
This play was broadcast in the Regional programme on Monday evening

Contributors

Unknown:
Eleonore Kalkowska'S
Unknown:
Lance Sieveking
Unknown:
Landlady Paul
Unknown:
Robert Godfrey
Unknown:
Herbert Smythe-Smythe
Unknown:
Anne Baker
Unknown:
Roderigo Morales
Unknown:
Allan Wade
Unknown:
Geoffrey Sumner
Unknown:
Beatrice Gilbert
Unknown:
Philip Wade
Unknown:
John Gabriel
Unknown:
Cherry Cottrell
Unknown:
Deering Wells
Unknown:
Eliot Makeham
Unknown:
Vivienne Chatterton
Unknown:
Anne Twigg
Unknown:
Joan Matheson
Unknown:
Arthur Goullet
Unknown:
George CormacK
Unknown:
Maisie Swann
Unknown:
Boris Ranevsky
Unknown:
Hector Abbas

National Programme Daventry

About National Programme

National Programme is a radio channel that started transmitting on the 9th March 1930 and ended on the 9th September 1939. It was replaced by BBC Home Service.

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More