From page 15 of ' When Two or Three '

At the Organ of The Regal, Kingstonon-Thames

Directed by ALFRED VAN DAM
Relayed from The Troxy Cinema

Directed by HENRY HALL

Under the direction of JOHAN HOCK
Relayed from
Queen's College, Birmingham
THE BIRMINGHAM PHILHARMONIC
STRING ORCHESTRA
Leader, Norris Stanley
Conductor, JOHAN HOCK
LILIAN NIBLETTE (pianoforte)

Directed by FRANK STOKES
Relayed from The Pavilion Theatre, Liverpool

Directed by Louis COHEN
Relayed from
The Valley Gardens, Harrogate
The plot of The Italian in Algiers, like the plots of nine out of ten comic operas, is based on that good old formula, the ' eternal quadrangle'. (The ' triangle ' is strictly reserved for tragedies.) Mustafa, Bey of Algiers, is infatuated with a beautiful Italian captive, Isabella. He already has a wife, Elvira, and, being apparently non-polygamous, proposes to get rid of her by giving her to another Italian captive, Lindoro. As Lindoro and Isabella are lovers, and Elvira is devoted to her husband, Mustafa's bright idea is satisfactory to no one but himself.

Leader, A. Rossi
Under the direction of EMILIO COLOMBO
Relayed from
The Hotel Metropole, London

LEONIE ZIFADO (soprano)

including Weather Forecast and Bulletin for Farmers

Directed by HENRY HALL

A Secret Service Serial by SYDNEY
HORLER
Radio adaptation by HOLT MARVELL With music arranged and conducted by WALFORD HYDEN. Produced by A. W. HANSON
Episode 3 : BUDAPEST The players include:
NORMAN SHELLEY as ' Tiger '
Standish GRETA KELLER as ' 'Rozi'
ADRIAN THOMAS
JOHN CHEATLE
ROBERT G. RENDEL
J. LESLIE FRITH
Scene : The Cafe Palota, Budapest

including Weather Forecast and Forecast for Shipping

THE ENGLISH ENSEMBLE:
Marjorie Hayward (violin); Rebecca Clarke (viola); May Mukle (violoncello) ; Kathleen Long (pianoforte)
HERBERT HEYNER (baritone)
In none of Bax's chamber music is so much dramatic force and power condensed as in this remarkable quartet, composed in 1922. It takes only eight minutes to play, and yet a depth of intense feeling is compressed that might easily have sufficed for a whole symphony. The opening is marked feroce, which provides a good clue to the mood of the music. The work makes no concessions to lyrical charm and, indeed, never relaxes from the vigour with which it opens. Nor does it allow for any weakness on the part of its performers : for each individual, and for all four as a team, it is exacting both as regards technique and interpretation.

HARRY ROY AND HIS BAND
Relayed from The May Fair Hotel