From ' When Two or Three,' page 48
Major MITFORD BRICB
At The Organ of The Trocadero Cinema, Elephant and Castle
Leader, Frank Thomas
Relayed from The National Museum of Wales
(From Cardiff)
A Miscellaneous Programme
Harry Roy and his Orchestra: Twelfth Street Rag (Bowman).
Art Tatum (Pianoforte): Sophisticated Lady (Ellitigton); Tea for Two (Youmans) John Hunt (Pianoforte): ┊Partita ┊No, ┊1Partita No. 1 in B flat (Bach); Pracludium, Minuet; Romance in F sharp
(Schamann). The B.B.C. Symphony Orchestra, conductor, mmmmm
(Mendelssohn). Colombo. with Tzigane Orchestra: Russian
Gypsy Melodies and Old Russian Hussars March (Traditional)
RECEPTION TEST
2.5-2.25 British History—I
Miss RHODA POWER: 'The People Julius Caesar
Found'
2.30-2.55 Biology
'How Life is Lived '—I
Professor WINIFRED CULLIS , C.B.E.: ' What is
Being Alive ? '
3.0 A Pianoforte Interlude by CECIL DIXON
Conductor, Sir DAN GODFREY
ADELA VERNE (Pianoforte)
Relayed from The Pavilion, Bournemouth
Of Glazounov's eight symphonies, the sixth ia decidedly the most popular, but the fourth has run it very closely, and has been broadcast several times in the last few years. The construction of the fourth is a little unusual ; there is no slow movement. But to make up for that, there is a very brilliant scherzo, one of the jolliest in the symphonic repertory.
ADELA VERNE and Orchestra
Pianoforte Concerto, No. 5 (The Emperor)
Beethoven
1. Allegro; 2. Adagio un poco mosso; 3. Rondo
The late Dr. H. V. Pearce , a native of Cornwall, where he had many friends and admirers who will be glad to hear this work again, lived in Bournemouth for many years, holding from 1917 the post of organist and choirmaster of the East Cliff Congregational Church.
Directed by John MacArthur
(From Glasgow)
(Continued overleaf.)
Chopin's Waltzes and Preludes
Played by CYRIL SMITH
Waltz in F, Op. 34
Waltz in A minor, Op. 34 Waltz in A flat, Op. 42
Waltz in C sharp minor, Op. 64 Waltz in D flat, Op. 64
Mr. ARCHIBALD HADDON
Mr. Haddon, the pioneer of broadcast dramatic criticism, returns to the microphone to find his audience amazingly enlarged. He succeeds James Agate and St. John Ervine as listeners' play-guide. He has served the newspapers as dramatic critic for many years, and unlike many of his colleagues, has an intimate knowledge of the back-stage workings of the theatre world. He is a friendly, humorous talker, but he has given no signs yet of how he is going to resume the job he started nine years ago, beyond promising to devote more attention than his predecessors to the music-hall-a policy he defends in an article on page 591 of this issue.
Mr. J. MEEKINGS: 'Will table poultry in the future pay better than egg production ? '