and forecast for farmers and shipping
The Richard Crean Orchestra
Robert South and Joan South
(two pianos)
Three services on the Christian's responsibility as a citizen
3-Service conducted by W. G. Symons , who is closely in touch with industrial life in the North of England
Sentences
From all that dwell below the skies
(M.H.B. 4)
Prayer and the Lord's Prayer
My heart is fixed, eternal God (M.H.B.
403)
Reading: St. Matthew 25, vv. 31-46
A charge to keep I have (M.H.B. 578;
A. and M. 702)
Intercessions
0 God of Bethel, by whose hand
(M.H.B. 102)
Address
Lord, thou hast been our dwelling-place (M.H.B. 71)
Blessing
Music sung by a choir of the Sale and District Musical Society
Conductor. Alfred Higson
Overture, Froissart (Elgar) :
London Symphony Orchestra, conducted by the composer
Piano Concerto No. 1 (Holbrooke): Grace Lynden (piano) with the London Promenade
Orchestra, conducted by Arthur Hammond
Classical Symphony (Prokofiev):
Berlin Philharmonic Orchestra, conducted by Sergiu Celibidache on gramophone records
Five experts on films, theatre, books, radio, and art
Conducted by Basil Wright
12.11 Art: Christian Barman
12.20 Films : C. A . Lejeune
12.28 Theatre:
Philip Hope-Wallace
12.37 Books : William Plomer
12.45 Radio: Giles Romilly
and forecast for farmers and shipping
53-Tameness
Maxwell Knight introduces the speakers, C. S. Webb and Frances Pitt
Produced by Desmond Hawkins
by Joan Frankland
Mrs. Frankland, a Yorkshire goat-breeder, will again give regular talks on coat- keeping in the 'Backs to the Land' series. In this first talk of the year she speaks on the characteristics of the various breeds of goats normally kept in this country.
Light Musdc String Ensefoible
Directed by Max Jaffa
by Emily Bronte
Made into a three-part radio play by James R. Gregson
2 — ' The Usurper '
Music composed by Gordon Thorne played by the BBC Northern Orchestra
Conducted by the composer
Produced by Rex Tucker in the BBC's North of England studios
Part 3: next Sunday at 3.0
and forecast for farmers and shipping
A year's calendar of festival and celebration in prose and music
Recorded in the towns and countryside of Switzerland, Eire, Spain, Greece, Lapland, Sweden, France, Italy, and England; with verse echoes of an older journey, that of the Magi
Readers:
Robert Eddison and Richard George
Written and produced by W. R. Rodgers and Maurice Brown
Appeal on behalf of The Friend of the Clergy Corporation, by The Lady Cynthia Colville , D.C.V.O., J.P.
Contributions will be gratefully acknowledged and should be addressed to [address removed]
The Friend of the Clergy Corporation was founded to provide pensions for the widows and elderly unmarried daughters of deceased clergymen of the Church of England, and is now celebrating its centenary, having been founded on St. Stephen's Day, 1849. These ' unpaid curates '-the wives and daughters of clergymen-are doubly bereaved when the husband or father dies, as it means at once leaving their only home. In fact their whole life is uprooted—husband or father gone, means of livelihood gone, home gone, position gone. Today the situation is further complicated by the difficulty of finding fresh accommodation-to buy even a cottage is usually beyond their purse, and to rent a house, or even rooms, is a difficult and expensive business. A pension for life at such a time, with the implication that somebody cares, brings hope and comfort and rekindles faith.
S-Poking About by Tyrone Guthrie
Campoli (violin)
BBC Symphony Orchestra
(Leader, Paul Beard )
Conductor, Sir Adrian Boult
Brahms had Joachim in mind when planning his Violin Concerto, and frequently asked the great violinist's advice; though in the end a number of his suggestions were not adopted. He it was, however, who played the Concerto for the first time, at Leipzig in 1879, with Brahms conducting. Like the Second Symphony, which is in the same key of D major, the Concerto was written at Portschach, an idyllic place by the Worthersee in the Austrian Alps, where Brahms loved to spend the summer months. Although the opening movement is generally smooth and pastoral in style, it has many elements of drama, and the soloist's powers are finely exploited. Serenity of mood and intricate decoration on the part of the viohnist mark the slow movement; and dancing rhythms the gypsy-like finale.
Harold Rutland
' We beheld his glory '
Psalm 138 St. John 12, w. 10-32
My song is love unknown (S.P. 127) St. John 1. v. 14
