and summary of today's programmes for the Forces
Records of the Four King Sisters, singing in harmony
Exercises for men
Coleman Smith
An interlude
A thought for today
Rev. H. C. Whitley
Details of some of today's broadcasts
Food Advice Centres and the Ministry of Food debate the week's main questions
A mixed choice of records
The high-spot will be The Grand
Canyon Suite : Sunrise ; Painted desert ; On the trail ; Sunset ; Cloudburst played by Paul Whiteman and his
Concert Orchestra
and his Cameo Orchestra
Arthur Dulay won a scholarship to the Guildhall School of Music at the age of fourteen, and studied the piano under Busoni and composition under Coleridge-Tavlor until the latter's death. For three years he gave lectures on the appreciation of music for the L.C.C.
Another popular broadcasting combination of his is the Arthur Dulay Quintet which he formed in 1935. He is also frequently heard on the air in solo piano recitals.
George C. Nash
at the theatre organ
News commentary and interlude
from p. 93 of ' New Every Morning ' and p. 32 of ' Each Returning Day'
played by Harry Fryer and his Orchestra
' Singing together' by Herbert Wiseman
A hunting we will go (English song)
Annie Laurie (Scots song)
Alouette (French - Canadian folk song)
with Marjorie Westbury
Michael Lynd
Courtney Hope
Presented by Martyn C. Webster
Sonata in G minor, Op. 22 (in four movements)
Vogel als Prophet (from Waldscenen) Romance in F sharp played by Bertha Hagart (piano)
Schumann's Piano Sonata No. 2 in G minor was finished in 1838 after several years of spasmodic work on it. From a constructional point of view, it is the most attractive of Schumann's three piano sonatas, although the first movement, which opens as ' fast as possible ', becoming ' faster ' and finally ' faster still ', follows the outline rather than the details of classical procedure. The music as a whole is concentrated, epigrammatic, and full of poetic meaning, while the actual writing is extremely effective.
(A recording of yesterday's broadcast)
followed by a recording of last night's postscript
at the. theatre organ
Tunes I have promised
Aircraftman Reginald Dixon began his career as church organist at the Birley Carr parish church, near Sheffield, went to Chesterfield as a pianist, and on to Sheffield where he played first the piano, then the straight organ. He was solo organist for the first time in the Isle of Man. But it was at the Tower Ballroom, Blackpool, that he made his name, and almost everyone must have heard him play his signature tune ' I do like to be beside the seaside '. Since joining the R.A.F. his place at the Tower has been taken by Ena Baga.
Science and gardening
' Answers to your questions '
B. A. Keen and C. F. Lawrence
Music for chorus unaccompanied
BBC Chorus
Conductor, Leslie Woodgate
At twilight
Morning song in the jungle (poem by Kipling)
There was a pig went out to dig
Brigg Fair
Australian up-country song
Conductor, P. S. G. O'Donnell
A Sullivan half-hour
Overture di ballo
Song : The chorister
(Cornet- soloist, Henry Stanley )
Music from The Merchant of Venice
playe'd by Reginald Foort at the theatre organ
These programmes bring before you, month by month, the changing facets of the rural scene. Country men and women will be brought to the microphone to speak about their lives and work, and although representative of the life of country folk, the series should hold much of interest to townspeople too.
BBC Orchestra
Led by Marie Wilson
Conductor, Sir Adrian Boult
Norina Semino (cello)
and his Cuban Rhumba Music
As his name suggests, and as the nature of his band confirms, Don Marino Barreto is a Cuban. Both he and his brother (who has what is probably the most famous rhumba band in Paris) have done a great deal towards popularising Cuban music in Europe.
For some years Don Marino was a member of his brother's band in Paris. He then came to this country to found his own, which is probably the only ' hot ' rhumba band in the world. Barreto got his chance in this country some five years ago when doing a turn in the Cochran revue, Follow the Sun. He attracted the attention of Leon Cassel Gerard , the Productions Manager of the show. Gerard established Barreto at the Embassy in London, where his band has been a great success. Gerard devises Barreto's broadcasts, and writes the scripts which always contain some kind of descriptive commentary by way of aid to general understanding of Cuban music.
A cherddi eraill
Darlleniad o gerddi diweddar o w.aith
T. H. Parry Williams
Rhaglen o dan ofal T. Rowland
Hughes
(A Welsh poetry reading)
A story and rhymes for the youngest listener and ' Bonnet and gown ' another song and story feature by Helen Drever
Presented by Kathleen Rabbit and ' Brer Rabbit '
followed by National and Regional announcements
Trio in D, Op. 70, No. 1 (The
Ghost) played by the Grinke Trio :
Frederick Grinke (violin)
Florence Hooton (cello)
Kendall Taylor (piano)
Published in 1809, the same year as .the Fifth and Sixth Symphonies, Beethoven's Piano Trio in D major, Op. 70, No. 1 is called the ' Ghost' Trio because of its eerie slow movement. Sketches for this movement are to be found in one of Beethoven's sketch books immediately after a rough sketch of a witches' chorus intended for an uncompleted opera based on Shakespeare's Macbeth. The libretto, however, was abandoned ' because it bade fair to be too gloomy
by Bernard Shaw
Cast in order of speaking :
Produced by Val Gielgud and Dallas Bower
From a ballroom in the West
Listen to :
Murray and Mooney Beryl Orde and dance to :
Melville Christie's Dance Band
Presented by Leslie Bridgmont
with his Orchestra