Presented by Penny Gore . Music includes:
7.00-8.30: Bizet, transc Horowitz
Carmen Variations Handel / Rage, I Melt, I Burn; Oh, Ruddier Than the Cherry (Acis and Galatea) Strauss Rosenkavalier Waltzes
8.30-10.00: Beethoven Piano Sonata, Op 81a (Les Adieux) Bizet Jeux d'Enfants
Telemann Overture-Suite in G minor

With Jonathan Swain :
Handel, arr Henry Wood Organ Concerto in B flat, Op 7 No 3 (Hallelujah)
George Thalben-Ball (organ), Philharmonia, conductor Walter Susskind
10.22 Purcell Thus the Gloomy World at First Began To Shine (The Fairy Queen, Act 5) Peter Pears (tenor), Boyd Neel Orchestra , conductor Anthony Lewis
Handel Love in Her Eyes Sits Playing (Acis and Galatea) Peter Pears (tenor), Harold Jackson (trumpet), Thurston Dart (harpsichord),
Philomusica of London, conductor Adrian Boult
10.36 Respighl Pines of Rome
Bournemouth Symphony Orchestra, conductor Constantin Silvestri
10.58 Schubert Die schone Mullerin, D795 (excerpt) Peter Pears (tenor), Benjamin Britten (piano)
11.25 Lanqlais Organ Concerto No 3 (Reaction) Franz Hauk (organ), Georgian Chamber Orchestra Ingolstadt, conductor Markus Poschner
11.44 Tippett Songs for
Ariel Peter Pears (tenor), Benjamin Britten (piano)

3/5. Literary Circles. Cafe society was a fundamental element of 19th-century Paris where Debussy enjoyed going to some of its most famous establishments, mixing with some of the most influential artistic groups of the day. Presented by Donald Macleod.
La Plus Que Lente Walter Gieseking (piano) Prélude a l'Après-Midi d'un Faune
Paris Orchestra, conductor Daniel Barenboim String Quartet Talich Quartet
Recueillement (Cinq Poemes de Baudelaire) Christopher Maltman (baritone), Malcolm Martineau (piano)
Prelude: Rodrigue et Chimene
Lyon Opera Orchestra, conductor Kent Nagano Repeated on Tuesday at 12 midnight

Schwetzingen Festival
2/4. Fiona Talkington introduces another concert from the 54th Schwetzingen Festival. Leipzig Quartet
Beethoven String Quartet in F, Op 135
Shostakovich String Quartet No 7 Op 108; String Quartet, Op 95

Presented by Martin Handley.
Tatiana Monogarova (soprano), Vsevolod Grivnov (tenor), Sergei Leiferkus (baritone), Nikolai Lugansky (piano), Philharmonia Chorus ,
London Philharmonic Choir and Orchestra, conductor Vladimir Jurowski
Mark-Anthony Turnage A Relic of Memory Prokofiev Piano Concerto No 2 in G minor
Rachmaninov The Bells
Repeated from Wednesday 23 August

From St Patrick's Cathedral, Armagh, sung by members of the 2006 Charles Wood
Summer School. Introit: My Beloved Spake
(Hadley). Responses: Clucas. Psalms 32,33 and 34 (Stonex, Martin, Ley). First Reading:
Habakkuk 1, vv1–11. Latin Magnificat (Stanford). Second Reading: Mark 7, vv14-23. Nunc Dimittis (Hoist). Anthem: Glory, Honour and Laud (Wood). Hymn: How Shall I Sing That Majesty (Coe Fen). Organ Voluntary: Toccata in D minor (Stanford). Director of music David Hill. Organist Paul Provost.

Sean Rafferty presents a selection of music and news from the arts world.

One of the great Mahler interpreters of our time, Bernard Haitink , conducts this monumental symphony, which begins at the graveside, passes through an apocalyptic vision of the Day of Judgement and ends with the promise of universal resurrection to the life eternal. Presented by Donald Macleod
Susan Gritton (soprano), Christianne Stotijn (mezzo), London Symphony Chorus,
BBC Symphony Chorus and Orchestra, conductor Bernard Haitink
Mahler Symphony No 2 (Resurrection) This Prom is also broadcast on BBC4

Every machine requires an interface, and every interface defines how we interact with the machine: it is the core of our relationship with technology. In the information age, the interface defines how people interact with the world.
Interface design and use blurs the lines between technology, psychology and design.
Paul Bennun asks designers, consultants, academics and technology users about where the logic of interface comes from, what interfaces tell us about ourselves, and how they affect society.

Robert Sandall introduces choral music by Giovanni Gabrielli , traditional Scottish tunes from Edinburgh-based group Deaf Shepherd and French-Canadian sound artist Garlo's recording of 54 guitars vibrating in the wind on the French Atlantic coast.

With Susan Sharpe.
Mahler Das Lied von der Erde William McAlpine (tenor), Dan Lordachescu (baritone), Romanian Cinematography Symphony Orchestra, conductor Constantin Bugeanu
1.58 Brian Eno , arr Julia Wolfe Music for Airports 1/2
2.10 Thomson String Quartet No 2
2.33 Schubert Symphony No 5 in B flat
3.00 Tchaikovsky Variations on a Rococo Theme, Op 33
3.21 Grechaninov Six Motets, Op 155
3.40 Bach Partita No 1 in B flat, BWV825
3.59 Hellendaal Concerto Grosso in G minor, Op 3 No
4.09 Handel Figlia Mia, Non PiangerNo! (Tamerlano)
4.15 De Vocht in Exile
4.27 Oskar Lindberq Morning
4.31 Grieg Wedding Day at Troldhaugen
4.39 Wolf Intermezzo in E flat
4.50 Anon, arr Geoff Richards Bailero
4.54 Kunzen Overture: Erik Ejegod
5.00 Britten Sacred and Profane, Op 91
5.16 Leslie Pearson Dance Suite
5.25 Ravel Pavane pour une Infante Difunte
5.32 Palestrina Nos Autem Gloriari Oportet
5.35 Stravinsky Pulcinella
6.13 Llndberq Old Hymn from Dalecarlia
6.18 Zulawskl Suite in the Old Style
6.29 Billings Kittery
6.32 Mozart Symphony No 39 in E flat, K543