Programme Index

Discover 11,124,767 listings and 293,690 playable programmes from the BBC

with Andrew McGregor.
7.05 Geminiani Violin
Sonata in A, Op I No 1
7.21 Chopin Ballade No 1 in G minor
7.32 Glinka Overture:
Ruslan and Ludmilla
8.05 Fillmore Lassus
Trombone: de Cullud
Valet to Teddy Trombone
8.22 Britten Canticle I: My beloved is mine, Op 40
8.44 Mozart Symphony No 31 in D (K300a) (Paris) Producer Andrew Lyle. Discs

Contributors

Unknown:
Andrew McGregor.
Producer:
Andrew Lyle.

1: Music's Michelangelo Lassus's virtuosic and exuberant art is a striking contrast to the classicism of Palestrina, who died in the same year. Today, Hugh Keyte presents some of the many aspects of Lassus's music: sacred and secular, vocal and instrumental, Petrarchian triumph and polyglot bawdry. With the Tallis Scholars, the BBC
Singers, the King's Singers, the Renaissance Band of the New York Pro Musica and Swingle II.
Producer Susan Kenyon

Contributors

Unknown:
Hugh Keyte
Producer:
Susan Kenyon

with Chris de Souza.
Each programme this week includes a Scarlatti sonata, a Schein motet, a romantic piano concerto and a British symphony.
10.10 John Adams The
Chairman Dances
BBC SO/Andrew Mogrelia
10.25 Artist of the Week
Nikolai Demidenko (piano) Chopin Piano Concerto No 1 in E minor
Philharmonia Orchestra/ Heinrich Schiff
11.00
Hindemith Apparebit repentina dies BBC Singers
London Sinfonietta/Joly
11.25 Frankel
Symphony No 5, Op 46 Queensland SO/Abert
11.40 Bach, arr Busoni Capriccio in B flat (BWV992)
Nikolai Demidenko (piano) Producer Chris de Souza

Contributors

Unknown:
John Adams
Piano:
Nikolai Demidenko
Unknown:
Heinrich Schiff
Unknown:
Hindemith Apparebit
Unknown:
Busoni Capriccio
Piano:
Nikolai Demidenko

First of a series in which singers talk with Rodney Milnes about their interpretation of a particular operatic role. 1: Robert Lloyd on Boris Godunov in Musorgsky's opera, using the recording he made at the Kirov Theatre under Valery Gergiev. Producer Clive Bennett

Contributors

Unknown:
Rodney Milnes
Unknown:
Robert Lloyd
Unknown:
Boris Godunov
Unknown:
Valery Gergiev.
Producer:
Clive Bennett

This week Mel Hill looks at some of Granz's greatest projects, including the teaming of Fred Astaire with jazz musicians, the Songbook albums with Ella Fitzgerald , two very different recordings of Gershwin's Porgy and Bess and "the World's
Greatest Jazz Concert".

Contributors

Unknown:
Mel Hill
Unknown:
Fred Astaire
Unknown:
Ella Fitzgerald

with Andrew Green.
5.15 Dvorak Slavonic
Dance No 7 in C minor
6.25 Komgold Songs, Op 38 Nos I and 6.38 Mozart Piano Sonata in A (K331)
7.16 Vaughan Williams Towards the Unknown
Region
Producer Andrew Mussett

Contributors

Unknown:
Andrew Green.
Unknown:
Vaughan Williams
Producer:
Andrew Mussett

from Moscow, with the Moscow
Conservatoire Chamber
Orchestra, conductor
Gennadi Cherkasov
Schoenberg Verkldrte
Nacht Bartok Divertimento
8.35 A Headless Rider?
In February 1922 concertgoers in Moscow were startled to read posters announcing the debut of a conductorless orchestra.
Stephen Johnson traces the rise and fall of a revolutionary band.
8.55
Schnittke Suite in the Olden Style Yuri Butzko Lacrimosa
Shostakovich Prelude and Scherzo, Op 11

Contributors

Conductor:
Gennadi Cherkasov
Conductor:
Schoenberg Verkldrte
Conductor:
Nacht Bartok Divertimento
Unknown:
Stephen Johnson
Unknown:
Schnittke Suite
Unknown:
Yuri Butzko Lacrimosa
Unknown:
Shostakovich Prelude

Kenneth Shenton reflects on the languishing reputations of five English composers whose stock was once extremely high. 1: John Stanley
A contemporary of Handel, this blind organist was a prolific and highly regarded composer whose influence on the development of keyboard composition was profound. Series producer David Perry

Contributors

Unknown:
Kenneth Shenton
Unknown:
John Stanley
Producer:
David Perry

BBC Radio 3

About BBC Radio 3

Live music and the arts: broadcasts more live music than any other radio network. Classical music is its core. Genres include world and new music, jazz, speech and drama.

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More