Lyadov Polonaise in c, Op 49 CITY OF BIRMINGHAM SO/JARVI
7.13* Smetana Piano Trio in G minor, Op 15: BEAUX ARTS TRIO
7.39* Schumann Overture, Scherzo and Finale, Op 52 DRESDEN STATE ORCHESTRA/ WOLFGANG SAWALUSCH
8.0 News
8.5 Crusell Divertimento for oboe and string quartet, Op 9 JOUKO TEIKARI (oboe) OLAVI PALLI and HANNELE SEGERSTAM (violins) PENTTI MIKKONEN (viola) RISTO POUTANEN (cello)
8.15* Bruch Swedish Dances, Op 63: LEIPZIG GEWANDHAUS ORCHESTRA/MASUR
8.25* Kuula I stared long into the fire: JORMA HYNNINEN (bar) RALF GOTHONI (piano)
8.30* Sibelius Suite: King Christian n, Op 27 GOTHENBURG SO/JÄRVI records

Beethoven His aristocratic patrons 5: Lobkowitz An die ferne Geliebte, Op 98 NORMAN BAILEY (baritone) JOHN CONSTABLE (piano) Triple Concerto in c, Op 56 BEAUX ARTS TRIO LPO/HATTINK records

(piano) Debussy Estampes Liszt Petrarch Sonnet No 123; Valse oubliée No 1; Rigoletto: Concert Paraphrase

leader BRADLEY CRESWICK conducted by WILFRIED BOETTCHER Mozart Divertimento in B flat (K 137) Kodaly Hungarian Rondo Copland Two Pieces for strings Haydn Symphony No 87, in A MW joins at 11.0

First of four programmes ANNE DAWSON (soprano) ROGER viGNOLEs (piano) eric PARKIN (piano)
Go not happy day; Fair daffodils; Minuet; Valse
Capricieuse; Come to me in my dreams; So early in the morning, 0; Ecstasy; Mantle of blue; Day after day; The hedgerow; Speak to me, my love

Music for the Stage
BBC CONCERT ORCHESTRA conductor ASHLEY LAWRENCE Sibelius Overture; Karelia, Op 10
Peter McGowan Ballet Suite: Metamorphosis, second movement
(first broadcast performance) Sibelius Pelleas et Melisande: Incidental Music, Op 46

Part 2 Johann Strauss , arr
Dorati Ballet: Graduation Ball

HERTZ TRIO
Rawsthome Trio (1962)
Mendelssohn Trio in c minor, Op 66

Helios Overture
SCOTTISH NO/GIBSON
Sinfonia Espansiva, Op 27
DANISH RSO/BLOMSTEDT
KIRSTEN SCHULTZ (soprano) PETER RASMUSSAN (baritone) records

KENNETH GILBERT (harpsichord) Dumont Pavane de M Dumont Marais La polonnoise
D'Anglebert Gaillarde et double; Chaconne de Vieux Gaultier
Lebegue Les cloches
Rameau. arr Balbastre Dances from Pigmalion

Recorded in the Central
Church of the Royal Air Force, St Clement Danes, London
Introit: Omnes de saba (Handl) Responses: Smith
Psalms: 22, 23 (Camidge, SidweU)
First Lesson: Isaiah 66, w 1-9 (AV)
Canticles: The Short Service (Byrd)
Second Lesson: I Thessalonians 2, v 17 to 3, v 17 (av)
Anthem: 0 sing unto the Lord (Purcell)
Organ Voluntary: Prelude and fugue in G major (BWV 541) (Bach)
Organist and Director of Music MARTINDALE SIDWELL Assistant organist SIMON WILLIAMS

Erik Satie , the French composer and artistic father to Milhaud, Poulenc and Auric among others, was an eccentric recluse, whose small oeuvre was disparaged for many years. David Wheeler reflects on Satie's place in the evolution of modern music with the composers Gavin Bryars and John Downey ;
Madame Madeleine Milhaud and music critic Rollo Myers , who knew him; and, at the keyboard, Pascal Roge
Producer LOUISE PURSLOW

KOENIG ENSEMBLE directed by JAN LATHAM-KOENIG (piano)
Poulenc Mouvements perpetuels (revised version for nine instruments)
Satie Choses vues a droite et a gauche (sans lunettes), for violin and piano
HELGE SLAATTO (violin);
Sarabande No 1 for piano; La belle excentrique, for music-hall orchestra

HUBERT KAPPEL
Bach, transc Kappel Partita No 6, in E minor (BWV 830)
(Part of a concert recorded in July 1984 at Goudhurst College Summer School for Guitar)

BBC SCOTTISH SYMPHONY
ORCHESTRA conducted by NICHOLAS KRAEMER Ravel Le tombeau de Couperin Peter Maxwell Davies Five Klee Pictures BBC Scotland

(piano) direct from Broadcasting Centre, Birmingham
Beethoven Polonaise in c, Op 89; Sonata in c minor, Op 111

New poetry selected and introduced by Kevin Crossley-Holland with poems
Y JEAN EARLE , PAMELA GILULAN , JOHN LATHAM , SIMON RAE , VALERIE SEASON, JOHN WHTTWORTH and CLIVE WILMER
Readers ANN ARIS and PATRICK ROMER
"oducer FRASER STEEL

Part 2 Schumann Toccata in c, Op 7; Fantasie in c, Op 17

In the first of five talks about T. S. Eliot 's Four Quartets, Eric Griffiths of Trinity
College, Cambridge, reflects on Eliot's scrupulous uncertainty about political conviction and his attempt to 'insinuate the whole history of a language and a civilisation' into his writing.
Readers MARTIN JARVIS and ALEX JENNINGS
Producer THOMAS SUTCLIFFE (Tomorrow: Martin Dodsworth on ‘Burnt Norton' with a reading of the Poem by John Franklyn-Robbins )

Ibert Escales
Dutilleux Symphony No 1 FRENCH NATIONAL RADIO ORCHESTRA/MARTINON records

The fifth of a series of 13 programmes
Introduced by Peter Holman Louis Grabu Albion and Albanius
Purcell King Arthur or, The British Worthy
THE PARLEY OF INSTRUMENTS
BAROQUE ORCHESTRA leader MILES GOLDING directed by ROY GOODMAN

Variations on a Slovak theme played by RAPHAEL sommer
(cello) and DANIEL ADNI (piano)