In the first of five talks about T. S. Eliot 's Four Quartets, Eric Griffiths of Trinity
College, Cambridge, reflects on Eliot's scrupulous uncertainty about political conviction and his attempt to 'insinuate the whole history of a language and a civilisation' into his writing.
Readers MARTIN JARVIS and ALEX JENNINGS
Producer THOMAS SUTCLIFFE (Tomorrow: Martin Dodsworth on ‘Burnt Norton' with a reading of the Poem by John Franklyn-Robbins )