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Elgar Concert Overture: In the South (Alassio)
LONDON PHILHARMONIC ORCHESTRA conducted by SIR ADRIAN BOULT
7.25* Vaughan Williams Fantasia on a theme by Thomas Tallis : PHILHARMONIA ORCHESTRA conducted by SIR MALCOLM SARGENT
7.40* Bliss Suite: Things to come: LONDON SYMPHONY
ORCHESTRA, conducted by THE COMPOSER: records

Glinka Overture: Ruslan and Ludmilla LONDON SYMPHONY ORCHESTRA conducted by SIR GEORG SOLTI
8.10* Tchaikovsky Symphony No 1, in G minor (Winter day-dreams): LONDON PHILHARMONIC ORCHESTRA, conducted by MSTISLAV ROSTROPOVICH : records

Berlioz
Symphonie fantastique
BOSTON SYMPHONY ORCHESTRA conducted by SEIJI OZAWA gramophone records

conducted by JAMES STOBART
A programme emphasising the work of living British composers
Wilfred Josephs Overture: The ants
Lennox Berkeley Divertimento Delius On hearing the first cuckoo in spring
Malcolm Arnold Little Suite No 1, Op 53
Elgar Two Interludes (Falstaff) Kenneth Platts Brighton Festival Overture (first broadcast performance)

JOHN GEORGIADIS (violin) SUSAN GEORGIADIS (piano) Sarasate Zigeunerweisen
Massenet Meditation (Thais)
Bartok Romanian Folk Dances
Elgar La capricieuse; Salut d'amour
Bazzini La ronde des lutins
11.35* Interval Reading
11.40* Festival Part 2
Wieniawski Scherzo-tarantelle Sarasate Romanza andaluza Dinicu Hora staccato Hubay Hejre Kati
Krein Gypsy Carnival
BBC Manchester

leader JACK GLICKMAN conducted by ROY WALES JANNE MARTYN (SOprano)
ANGELA MALSBURY (clarinet) Part 1
Bach Brandenburg Concerto No 3, in G
Paul Patterson Clarinet Concerto (first broadcast performance)

A personal preview by MALCOLM RUTHVEN of some of the plays and features on Radio 3 and Radio 4 in the week ahead.

Part 2 Mozart Motet: Exsultate, jubilate
Haydn Symphony No 49, in F minor (La Passione)
BBC Birmingham

Tchaikovsky String Quartet No 2, in F: GABRIELI QUARTET
Rachmaninov Songs: The Fountains; Night is mournful; The Ring; Powder'd Paint
ELISABETH SODERSTROM (SOpranO) VLADIMIR ASHKENAZY (piano)
Liszt Premiere annee: Suisse (Annies de pelerinage) LAZAR BERMAN (piano)

Church music by Mozart and his contemporaries. This week music of a penitential character: BBC SINGERS
STEPHEN CLEOBURY (organ) conducted by JOHN POOLE
Mozart Mass in c (K 115); De profundis (K 93); Miserere (K 85)
Eberlin Four Motets: Audiutor in opportunitatibus; Bonum est confiteri; Tu es Deus; Improperium exspectavit cor meum
Michael Haydn Missa tempore quadragesimae

The Essential Turn
The life history of one of music's simplest ornaments traced from the Buxheimer Organ Book to the present-day activities of the Cambridge Buskers. Also taking turns we find Prokofiev in the Gavotte from his Classical Symphony, Mozart with the Rondo alia Turca and the A minor Rondo (K 511). A Mozart scandal is revealed, an Italian charlatan exonerated, and Wagner turns up with the Overture to Rienzi. Record requests turned in by the under-20s and overturned by Christopher Hogwood.

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Leisure and Recreation
6.30 In Your Own Time
Things to Do - Places to Go
New, purposeful and perhaps profitable ways of enjoying your spare time and developing your skills and abilities. Presented by PETER CLAYTON
7.0 Music, Maestro, Please!
3: Well, What do you
Expectt ADRIAN THORNE examines some of the components a composer works with and discusses the advantages of active listening.

leader BRENDAN O'BRIEN conductor PAAVO BERGLUND direct from
Guildhall, Southampton
Beethoven Overture: Prometheus
Schubert Symphony No 4, in c minor (Tragic)

The fifth of six contrasting talks, on successive Fridays.
Judith Hubback , a leading analytical psychologist and joint editor of The Journal of Analytical Psychology, views the contemporary situation from the Jungian and post-Jungian standpoint -remindful of Jung's own utterance: ' I only hope nobody becomes a " Jungian ". I abhor blind followers.'

Part 2 Smetana
Vysehrad; Vltava; From Bohemia's Woods and Fields;
Sarka (Ma vlast). BBC Bristol

The Apple in the Eye by MARGARET HOLLINGSWORTH
' If I were to take a very sharp knife and gently, so very gently, cut through my mind, how would it be? Soft and spongy like sodium? If I were to put it in water would it ride over the surface? Race around and burn itself out? No. I wouldn't let that happen. Keep the mind dry. My mind would be like an apple ...'
Directed by MARGARET ETALL

JOHN SHIRLEY-QUIRK (baritone) with MARTIN ISEPP (piano)
In many Lieder recitals the words in some way dictate the choice of the music. In this one, the music completely dominates. It begins and ends in a very slow tempo, gradually quickening and slowing down again: as it does so, it makes apparent the differing creative characters of its two great composers - Schubert with his lyrical commitment to the mood of the moment, and Brahms, with whom a moment of illumination may come and go even within the confines of a single short song.
Schubert Meeresstille; Lied eines Schiffers an die Dioskuren; Gondelfahrer; Abendrothe; Der Schiffer (1m Winde, im Sturme); Der Strom; Auflosung
Brahms Wahrend des Regens; Sommerfaden; Mein Herz ist schwer; An ein Bild; Abendregen; Der Tod, das ist die kiihle Nacht

Some perennial characters poetically illustrated and introduced by Michael Schmidt 6: A Contemplative Man
Readers ANN ARIS, PAUL WEBSTER Producer FRASER STEEL
BBC Manchester

This week John Amis reports on Kent Opera.
Producer NATALIE WHEEN