Programme Index

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Bach Suite No 4, in D (BWV 1069): ACADEMY OF
ST MARTIN-IN-THE-FIELDS conducted by NEVILLE MARRINER
7.23* Mozart Piano Concerto
No 20, in 9 minor (K 466)
VLADIMIR ASHKENAZY , LONDON SYMPHONY ORCHESTRA, conducted by HANS SCHMIDT -ISSERSTEDT: records

Contributors

Conducted By:
Neville Marriner
Unknown:
Vladimir Ashkenazy
Conducted By:
Hans Schmidt

Handel Concerto Grosso in F, Op 3 No 4: ACADEMY OF ST MARTIN-IN-THE-FIELDS directed by NEVILLE MARRINER
8.16* Beethoven Romance in F, for viotin and orchestra PINOHAS ZUKBRMAN
LONDON PHILHARMONIC ORCHESTRA conducted by DANIEL BARENBOIM
8.25* Haydn Symphony No 104, in D (The London): PHILHARMONIA HUNGARICA, conducted by ANTAL DORATI : records

Contributors

Directed By:
Neville Marriner
Conducted By:
Daniel Barenboim
Conducted By:
Antal Dorati

(sung in German)

Contributors

Evangelist:
Ian Partridge (tenor)
Christus:
John Noble (bar)
Soprano:
Jennifer Smith
Counter-tenor:
Paul Esswood
Tenor:
Anthony Rolfe-Johnson
Baritone:
Stephen Roberts
Musicians:
London Bach Society
Organist:
William Cole
Organist:
Ralph Downes
Musicians:
Steinitz Bach Players
Leader:
Jack Rothstein
Leader:
Felicity Notariello
Conductor:
Paul Steinitz

A meditation for Good Friday by Tom Hamill drawing on Scottish, Welsh and Irish poetry from earliest times to the present day
And he saw a tall tree by the side of the river, one half of which was in flames from the root to the top, and the other half was green and in full leaf.
(PEREDUR, THE SON OF
EVRAWC: THE MABINOGION)
In his essay On the Study of Celtic Literature Matthew Arnold notes the image of the green and burning tree as an instance of Celtic magic in poetry. In this meditation for Good Friday, Tom Hamill takes as his theme the Celtic preoccupation with the tree as a symbol of death and rebirth, summer and winter, light and dark. Spoken by JILL BALCON , PHILIP MADOC , DENYS HAWTHORNE Narrator Gary Watson
Producer BRIAN BARFIELD BBC Northern Ireland

Contributors

Unknown:
Tom Hamill
Unknown:
Tom Hamill
Spoken By:
Jill Balcon
Spoken By:
Philip Madoc
Narrator:
Denys Hawthorne

Triad: choreography by KENNETH MACMILLAN
Music by PROKOFIEV: Violin Concerto No 1: PIERRE AMOYAL
STRASBURG PHILHARMONIC ORCHESTRA, conducted by ALAIN LOMBARD Symphonic Variations: choreography by FREDERICK ASHTON Music by FRANCK
ALICIA DE LARROCHA (piano)
LONDON PHILHARMONIC ORCHESTRA conducted by RAFAEL FR ÜHBECK DE BURGOS: records
Introduced by CORMAC RIGBY

Contributors

Choreography By:
Kenneth MacMillan
Conducted By:
Alain Lombard
Unknown:
Frederick Ashton
Conducted By:
Rafael Fr
Introduced By:
Cormac Rigby

Gemini, for violin and piano; Libra, for flute, clarinet, violin, guitar, percussion and piano: douglas whittakeh
(flute), keith puddy (clarinet) YFiRAH NEAMAN (violin)
KARLHEINZ BOTTNER (guitar) TRISTAN FRY (percussion)
DAVID WILDE (piano), conducted by DAVID ATHERTON

Contributors

Guitar:
Karlheinz Bottner

When an opera is recorded for the first time, what happens? How do the artists prepare? What do they think about their performances? What are the problems and the pleasures of all the hard work involved?
Producers DENYS GUEROULT and NATALIE WHEEN spent ten days last summer with the cast of Haydn's La vera costanza and recorded not only what happened in the hall but what the producer, engineers and antists were doing and saying.
With CLAES-HAAKON AHNSJO, HELEN DONATH , WLADIMIRO GANZAROLLI
KARI LOVAAS , JESSYE NORMAN
ANTHONY ROLFE-JOHNSON , DOMENICO TRIMARCHI , and MARIO SALERNO LAUSANNE CHAMBER ORCHESTRA conductor Antal Dorati
The opera produced by ERIK SMITH , recorded by HANS LAUTERS-LAGER, for Phonogram and the European Broadcasting Union Introduced by DENYS GUEROULT
(La vera costanza: Easter Mon)

Contributors

Producers:
Denys Gueroult
Producers:
Natalie Wheen
Unknown:
Helen Donath
Unknown:
Wladimiro Ganzarolli
Unknown:
Kari Lovaas
Unknown:
Jessye Norman
Unknown:
Anthony Rolfe-Johnson
Unknown:
Domenico Trimarchi
Unknown:
Mario Salerno Lausanne
Conductor:
Antal Dorati
Produced By:
Erik Smith
Introduced By:
Denys Gueroult

-In the first of three programmes Sir John Gielgud reads from the reminiscences DisraeU wrote in the first half of the 1860s, before he became Prime Minister for the first time. In them he looks back on 40 years of striving for literary and political success and social acceptance, and the stories are the nearest Disraeli came to non-fictional autobiography, containing some of his finest and wittiest writings, Introduced and selected by Lord Blake
Producer JOHN KNIGHT

Contributors

Unknown:
Sir John Gielgud

We always speak about Western and Eastern Europe. There is another area - the Third Europe of the Mediterranean European countries.
(PROFESSOR GEORGE MANGAKIS)
Ian Gillham explores the idea of Third Europe in conversations With
PROFESSOR FERNAND BRAUDEL , PROFESSOR JEAN GOTT -MAN, Portuguese poetess SOPHIE DE NELLO BREYNER ANDRESEN, Spanish historian and politician ANTONIO GARCIA LOPEZ , SALVADOR
DE MADARIAGA, LAWRENCE DURRELL , FREYA STARK, Greek author PAVLOS ZANNAS , Mayor of Istanbul AHMED ISVAN. and BULENT ECEVIT.

Contributors

Unknown:
Ian Gillham
Unknown:
Professor Fernand Braudel
Unknown:
Professor Jean Gott
Unknown:
Antonio Garcia Lopez
Unknown:
Lawrence Durrell
Unknown:
Pavlos Zannas
Unknown:
Ahmed Isvan.
Unknown:
Bulent Ecevit.

Dietrich Buxtehude: seven Holy Week cantatas, devotions to the body of the crucified Christy VI: Ad cor (The heart)
SARAH LEONARD , SUSAN VARLEY
(sopranos), FRANCIS THOMAS (bass) CATHERINE MACKINTOSH , POLLY WATERFIELD , NICOLA CLEMINSON , TREVOR JONES , JANE RYAN (viols) WALTER HILLSMAN (Organ) conducted by KERRY WOODWARD

Contributors

Unknown:
Sarah Leonard
Sopranos:
Susan Varley
Sopranos:
Francis Thomas
Bass:
Catherine MacKintosh
Bass:
Polly Waterfield
Bass:
Nicola Cleminson
Bass:
Trevor Jones
Bass:
Jane Ryan
Conducted By:
Kerry Woodward

BBC Radio 3

About BBC Radio 3

Live music and the arts: broadcasts more live music than any other radio network. Classical music is its core. Genres include world and new music, jazz, speech and drama.

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More