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Listeners' record requests Monteverdi Beatus vir
THAMES CHAMBER CHOIR AND
INSTRUMENTAL ENSEMBLE conducted by LOUIS HALSEY
7.15* Vivaldi Concerto in G minor for violin, two flutes, two oboes, two bassoons and string orchestra: SOLOISTS MUNICH CHAMBER ORCHESTRA conducted by HANS STADLMAIR
7.25* Handel Oboe Sonata in B flat: HEINZ HOLLIGER (oboe)
EDITH PICHT-AXENFELD (harpsichord)
7.34* Haydn Symphony No 95, in c minor
LONDON PHILHARMONIC ORCHESTRA conducted by EUGEN JOCHUM

Part 2
Brahms Academic Festival Overture
LONDON PHILHARMONIC ORCHESTRA conducted by SIR ADRIAN BOULT
8.14* Reger Scherzino for horn and string orchestra
HERMANN BAUMANN MUNICH PHILHARMONIC ORCHESTRA conducted by MARINUS VOORBERG
8.17* Strauss Burleske in D minor, for piano and orchestra
RUDOLF SERKIN PHILADELPHIA ORCHESTRA conducted by EUGENE ORMANDY
8.36* Bizet L'Arlésienne: Suite NO 1: BERLIN PHILHARMONIC ORCHESTRA, conducted by HERBERT VON KARAJAN

Charles Ives
Holidays: Symphony in four parts: NEW YORK PHILHARMONIC ORCHESTRA, conducted by LEONARD BERNSTEIN : records

played by JAMES LANCELOT at Winchester Cathedral
Bach Prelude and Fugue in C
. minor (BWV 546)
Messiaen L'Ascension: quatre meditationssymphoniques
BBC Bristol

of six acknowledgements to Masters Past and Present
Boccherini Introduction and Fandango
Phyllis Tate Sonatina Pastorale

Seven Fantasies, Op 116
NORMA FISHER (piano)

LOTHAR KOCH (oboe)
MOZARTEUM ORCHESTRA conducted by LEOPOLD HAGER Part 1 Mozart
Symphony No 15, in G (K 124) Oboe Concerto in c (K 314)

Edith Vogel talks about The Time Element in Music.

Part 2 Mozart
Divertimento in F (K 138)
Ballet Music (Idomeneo) (K 367) (Austrian Radio recording from the 1976 Salzburg Festival)
(More Mozart from Salzburg:
7.30 pm)

direct from the Concert Hall, Broadcasting House
Joy Roberts (soprano)
Jennifer Coultas (piano)
Verdi Stornello ; La zingara
Walton A song for the Lord Mayor's Table
Berg Seven Early Songs
Richard Rodney Bennett A Gar land for Marjory Fleming
(Given before an invited audience. Applications for tickets to: Ticket Unit, BBC, Broadcasting House, London W1A 4WW)

Beethoven Military March in D (WOO 24): ROTTERDAM
PHILHARMONIC ORCHESTRA conducted by EDO DE WAART
2.5* Moscheles Concertante In F, for flute, oboe and orchestra AURELE NICOLET
HEINZ HOLLIGER, FRANKFURT RADIO
SYMPHONY ORCHESTRA conducted by ELIAHU INBAL
2.20* Sibelius Symphony No 1, in E minor: BOURNEMOUTH
SYMPHONY ORCHESTRA conducted by PAAVO BERGLUND

First of three programmes from the Southport Arts Centre, Merseyside
Mozart Quartet in F (K 590) Wolf Italian Serenade
Beethoven Quartet in r. Op 59 No 1. BBC Manchester

The troubadours of Provence, active in the 12th and 13th centuries, mark one of the earliest manifestations of European song as an art form. This week Piers Burton-Page talks about the different forms of song they employed, and includes examples from the second generation of troubadours, including such celebrated figures as Bernart de Ventadorn and Giraut de
Bornelh: records

forAshWednesday,from
St John's College," Cambridge
Versicles and Responses (Ebdon)
Miserere met (Allegri) ' (the Latin text of Psalm 51)
Lessons: Joel 2, vv 12-17; 2 Corinthians 7, vv 2-10
Canticles (John Farrant, the Short Service)
Anthem: Tristis est anima mea (Lassus)
Director of MusicGEORGE GUEST Organ Student DAVID HILL

(continued)

Language and Communication
6.30 Punti di vista
17: Vengo dalla gavetta ' II cantautore Renato Rascel parla della sua carriera
Introduced by SILVIA STEWART and ALDO BEVACQUA
Script by MARIA LAURA FRANCIOSI (Rptd: Sun 2.30 pm R4 VHF)
7.0 Sur le vif
17: Les coiffes, les cr&pes, les sabots font-ils partie d'un folklore?
Présenté par GILLES DATTAS et ANNE-MARIE PELLETIER
Script par ANNE GRUNEBERG
Réalisatrice SUSAN PATON (Rptd: Sun 3.0 pm R4 VHF)

HELEN DONATH (soprano)
MOZARTEUM ORCHESTRA, conducted by THEODOR GUSCHLBAUER
Concert Arias: Vado, ma dove? o Dei! (K 583); Alma grande e nobil core (K 578)
Symphony No 34, in c (K 338)
(Austrian Radio recording from the 1976 Salzburg Festival)

ZVI ZEITLIN (violin)
SWISS FESTIVAL ORCHESTRA conducted by THE COMPOSER
(Swiss Radio recording of the first performance given at the 1976 Lucerne International Music Festival)

Mozart's musical genius was demonstrated early in his life when, at the age of 14, he transcribed from memory the complete Miserere by Allegri after just one hearing. How is such genius explained in terms of brain function? What mental processes enable a musician to convert a melody into standard musical notation?
Psychologist Professor Christopher Longuet-Higgins talks to John Maddox about his theory of how the brain perceives and translates music.: Editor THELMA RUMSEY
(A discussion on music and brain function: Music Now, Friday 10.45 pm)

GABRIEL! STRING QUARTET
Janacek Quartet No 1 (Kreutzer Sonata)
Shostakovich Quartet No 4
10.35* Interval Reading
10.45* Concert Part 2
Debussy Quartet in g minor
(Given before an invited audience at the Broadcasting Centre, Birmingham, last Friday) BBC Birmingham