Test Match Special
Australia v England at Sydney Commentary during the final day
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VHF only; on medium wave the closing stages of the cricket
Telemann Overture and Suite in B flat (Tafelmusik: Part 3)
7.27* Beethoven Romance in F, Op 50
7.36" Schumann Concertstiick for four horns and orchestra gramophone records
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Lully Sinfonies pour les pâtres
8.26* Auber. orch Gamley Cello Concerto No 1, in A minor
8.42* Franck Symphonic Poem: Les Djinns gramophone records
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Bizet Overture: Le Docteur Miracle: FRENCH NATIONAL RADIO
LYRIC ORCHESTRA conducted by ANTONIODE ALMEIDA
9.11* Suite: La jolie fille de Perth
FRENCH NATIONAL RADIOORCHESTRA conducted by JEAN MARTINON
9.24* Nour-Eddin, roi de Lahore (Djamileh)
HURUETTETOURANGEAU (mezzo-sop)
9.31* Suite: Jeux d'enfants
SUISSE ROMANDE ORCHESTRA conducted by ERNEST ANSERMET gramophone records
PROFESSOR ALEXANDER GOEHR discusses musical analysis, with special reference to Schoenberg's Fantasy, Op 47, for violin and piano.
After the talk YFRAH NEAMAN and DAVID WILDE give a complete performance of the work.
Symphony No 2: NETHERLANDS RADIO PHILHARMONIC ORCHESTRA conducted by EDWARD DOWNES
(Netherlands Radio recording)
A recital of songs by Bartok and Kodaly from their collections of transcriptions of folk music, including Bartok's set of eight Hungarian folk songs and Kodaly's version of the ballad Monar Anna
TEREZIA CSAJBOK (soprano)
LIZA FUCHSOVA (piano)
BBC WELSH SYMPHONY ORCHESTRA conductor BORIS BROTT Poulenc Sinfonietta
12.10* Ravel Valses nobles et sentimentales
12.27* Bizet Symphony in c
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Maurice Hasson (violin)
Bach Partita No 2, in D minor (bwv 1004)
Paganini Caprices from Op 1: Nos 5, 9. 14, 17 and 24 (From the Friends' Meeting House, Manchester. Seventh of 12 concerts promoted by the Manchester Midday Concerts Society in assoc with the BBC)
Opera in three acts
Libretto by ETIENNE de JOUY Music by Gaspare Spontini (sung in French)
Julia, a Vestal Virgin, yields to the love of the general, Licinius; the flame in the temple is extinguished and Julia herself condemned to death; but she is reprieved by a miracle.
ROME CHORUS AND SYMPHONY
ORCHESTRA OF ITALIAN RADIO chorus-master GIANNI LAZZARI conducted by JESUS LOPEZ COBOS (Italian Radio recording) Act 1
2.55* Interval Reading
3.0* La Vestale. Act 2
3.45* Interval Reading
3.55* La Vestale, Act 3
played by COLIN TILNEY on a Baffo harpsichord of 1574 in the collection of the Victoria and Albert Museum
Toccata settima (Book 2) Capriccio di durezze
Cento partite sopra passacagli Ricercar terzo
Partite sopra I'aria di Ruggiero
David Munrow illustrates some composers' special fondness for the bassoon, and introduces its big brother - the double-bassoon.
A two-part sequence of music for the early evening.
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(continued)
6.30 Music and the Spirit
The last in a series of four illustrated programmes exploring associations between the experience of music and the life of the spirit.
Presented by LEONARD PEARCEY
Series producer MICHAEL STEPHENS
7.10 The Lawbreakers
Ten documentary case-studies for those who work with offenders.
Presented by DR BILL DOLMAN 8: Living Rough
The case of a man in his 30s who has lived a homeless and rootless style of life and served a series of short prison sentences,
Book, The Lawbreakers, 85p, from bookshops
direct from the Town Hall. Birmingham MICHEL BEROFF (piano) CBSO CHORUS chorus-master GORDON CLINTON
CITY OF BIRMINGHAM
SYMPHONY ORCHESTRA leader FELIX KOK conductor louis FRÉMAUX
Ravel (born 7 March 1875) Alborada del Gracioso
Concerto in D, for piano (left hand) and orchestra
Thirteen programmes compiled by PETER PORTER and ANTHONY THWAITE
10: Sir John Betjeman (b 1906) William Plomer (1903-1973)
Introduced by Anthony Thwaite Readers GARY WATSON and JILL BALCON
Part 2 Daphnis and Chide
A portrait of Emily Dickinson (1832-1886) through her poetry and other writings
Written and compiled by ANNE STEVENSON
Renunciation - is a piereinp: Virtue
The letting go
A presence for an Expectation Not now -
Emily Dickinson lived a quiet, almost hidden existence in Amherst, Massachusetts, all her life. Only five of her poems were published during her lifetime but after her death her work became popular with general readers who thought of her only as a pious nature poet with a bizarre gift for metaphor. Today however she is firmly fixed at the forefront of 19th-century American and European poetry. with the voices of GEOFFREY MATTHEWS , DON FELLOWS PHIL BROWN and HELEN HORTON Producer MAURICE LEITCH followed by an interlude
Piano Sonata No 3 played by PAUL CROSSLEY (piano) Quartet No 3 played by the DELME STRING QUARTET Peter Carter (violin)
Galina Solodchin (violin) John Underwood (viola) Joy Hall (cello)
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