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CHICAGO SYMPHONY ORCHESTRA
Bizet L'Arlésienne: Suite No 1 conducted by JEAN MARTINON
7.24* Schumann Piano Concerto in A minor ARTUR RUBINSTEIN conducted by CARLO MARIA GIULINI gramophone records

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CHICAGO SYMPHONY ORCHESTRA
Kodaly Dances from Galanta conducted by SEIJIOZAWA
8.22* Janacek Sinfonietta conducted by SEIJI OZAWA
8.44* Falla Three Dances (The Three-cornered Hat) conducted by FRITZ REINER gramophone records

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Tallis and Lassus
Lassus Timor et tremor; Pelli meae; Surgens Jesus PHII.IPPE CAILLARD
VOCAL ENSEMBLE conducted by PHII.IPPE CAILLARD
9.25* Tallis Lamentations of Jeremiah
CHOIR OF KING'S COLLEGE, CAMBRIDGE conducted by DAVID WILLCOCKS gramophone records

Duet Concertino, for clarinet, bassoon and string orchestra DIETRICH FRITSCHE JÛRGEN GODE
RADIO SAAR8RÜCKEN SYMPHONY
ORCHESTRA conducted by HELMUT MÜLLER-BRȔHL
(Recording made available by courtesy of Radio Saarbriicken) Oboe Concerto
HANSJORG SCHELLENBERGER
BAVARIAN RADIO SYMPHONY
ORCHESTRA conducted by FRITZ RIEGER
(Recording made available by courtesy of Bavarian Radio)

(piano).
Mendelssohn Variations sfrieuses, Op 54
Brahms Intermezzo in E flat minor, Op 118 No 6
Albeniz Triana (Iberia) Debussy L'isle joyeuse
Schumann Fantasie in c, Op 17

Gottfried August Burger 's lyric-ballad of 1773 inspired both Duparc's only surviving orchestral work and one of Raff's best orchestral works.
Duparc Symphonic Poem: Lenore
NEW PHILHARMONIA ORCHESTRA conducted by ANTONIO DE ALMEIDA
Raff Symphony No 5, in E (Lenore)
LONDON PHILHARMONIC ORCHESTRA conducted by BERNARD HERRMANN gramophone records

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MERIEL DICKINSON (meZZO-SOp) JOHN MCCABE (piano)
Haydn Variations in F minor (h xvi 6)
Maw Song-cycle: The voice of love
Haydn Sonata in E (H XVI 13)
(From the Northern College of Music, Manchester. The first of three concerts promoted by the Manchester Tuesday Midday Concerts Society in association with the BBC as part of the 1973 Manchester Festival)

Le poeme de 1'extase
SWEDISH RADIO SYMPHONY
ORCHESTRA conducted by STIG WESTF. RBERG (Swedish Radio recording)

Alun Hoddinott
Part of a Meet the Composer evening held by Youth and Music at the Queen Elizabeth Hall in October 1972.
The composer introduces three of his works:
Sonata No 3. Op 78 No 1
LEVON CHILlNGIRIAN (violin) CLIFFORD BENSON (piano) Danegeld, Op 33
TIFFIN SCHOOL CHOIR director BRUCE PULLAN Piano Sonata No 6 MARTIN JONES

Lyric drama in two episodes Libretto, after PUSHKIN by ENRICO CAVACCHIOLI and GUGLIELMO EMANUEL Music by LeoncavaHo (sung in Italian)
(first broadcast in this country) Specialty commissioned by the London Hippodrome, Leoncavallo conducted his opera there twice daily in 1912. sandwiched between Fred Woodward 's Performing Seals and the American Ragtime Octet.
TURIN CHORUS AND ORCHESTRA OF ITALIAN RADIO chorus-master ROBERTO GOITRE conducted by ELIO BONCOMPAGNI (Italian Radio recording)
The action takes place by the banks of the lower Danube in the early years of this century.

1816-1875
There is an Englishman, William Bennett , in our daily circle, an out-and-out Englishman, a splendid artist, a poetic, beautiful soul.
(ROBERT SCHUMANN)
A performance of William Sterndale Bennett 's Sextet in f sharp minor, for two violins, viola, cello, double-bass and piano. It is preceded by the first broadcast performance of Duo for two violins in F major by G. F. Pinto , and followed by the Quintet for two violins, viola, cello and piano by John Field.
AD SOLEM QUARTET with JEFFREY BOX (double-bass) ALAN CUCKSTON (fortepiano)

Tales and music for Younger Listeners with David Munrow

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(continued)

6.30 The Person for the Job
A practical guide, in five parts, to recruitment in business and industry
Presented by ROGER WILLIAMS 2: Attracting a Good Field Book, 50p: see page 62
6,50 Community Care: The Patient at Home
Seven case-studies for nurses in training
2: Handicapped Children
A young married couple talk about the practical considerations involved in bringing up a child born with spina bifida Book, 45p: see page 62
7.10 Focus on Education
Parents phone in their questions on reading to OR JOAN TOUGH, Institute of Education, Leeds University, and MICHAEL MARLAND , Headmaster of Wood-berry Down School, London. Chairman DR BARRY TURNER

Wagner came to London in 1855 to conduct the entire season of eight concerts for the Philharmonic Society. This programme is based on the first of those concerts. Part 1
Haydn Symphony No 99, in E flat: ROYAL PHILHARMONIC ORCHESTRA, conducted by SIR THOMAS BEECHAM
Mozart Soave sia il vento (Cosl fan tutte)
CHRISTA LUDWIG (mezzo-soprano) LISA DELLA CASA (soprano) PAUL SCHOEFFLER (bass)
VIENNA PHILHARMONIC ORCHESTRA conducted by KARL BOHM
Spohr Violin Concerto No 8, tn A minor (mono) JASCHA HEIFETZ
RCA VICTOR ORCHESTRA conducted bv IZLER SOLOMON
Weber Ocean, thou mighty monster (Oberon)
GUNDULA JANOWITZ (soprano) BERLIN OPERA ORCHESTRA conducted by FERDINAND LEITNER Mendelssohn Overture: The Hebrides (Fingal's Cave)
LONDON SYMPHONY ORCHESTRA conducted by PETER MAAG
8.45* Wagner as Conductor
After the final concert a London critic described Wagner as ' the worst conductor to whom the Philharmonic baton has yet been entrusted.' BERNARD KEEFFE thinks otherwise,
9.0* Wagner in London: part 2 Beethoven Symphony No 3, in E flat (Eroica)
PHILHARMONIA ORCHESTRA conducted by OTTO KIEMPERER .Weber Wie nahte mir der
Schlummer (Der Freischiitz) BIRGIT NILSSON (soprano)
BAVARIAN STATE OPERA ORCHESTRA conducted by ROBERT HEGER
Mozart Overture: Die Zauberflote
BBC SYMPHONY ORCHESTRA conducted by COLIN DAVIS Producer KEITH HORNER gramophone records

7: Mao Tse-tung and Maoist Society
Formed by revolutionary experience. by Marxism, and 1-.v a deeply held China-centred nationalism, Mao's revolutionary drive has not ebbed after 24 years in power. How have the ideas come together to make the man?

Motets from the Toulouse collection at Tenbury, edited by PHILIPPE OBOUSSIER , who introduces the programme. APRIL CANTELO (soprano)
FELICITY PALMER (soprano) IAN PARTRIDGE (tenor) NIGEL WICKENS (bass)
CAROLYN SPAREY (violin) JONATHAN SPAREY (violin)
DESMOND DUPRE̛̍̏(viola da gamba) CHARLES SPINKS (organ)

BOB COBBING reads a group of his sound poems with the members of Abana:
Paul Burwell. Herman Hauge
David Toop , Christopher Small and Lyn Conetta
Sound sources employed are flute, mirliton, alto and soprano saxophones, electric guitar, piano, percussion and voices. Introduced by BOB COBBING and PAUL BURWELL
Producers JOHN F. MUIR and GEORGE MACBETH

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