Giovanni Gabrieli Canzona PHILADELPHIA AND CLEVELAND
BRASS ENSEMBLES
8.8* Vivaldi Autumn (The Seasons): HENRYK SZERYNG (violin) directing the ENGLISH CHAMBER ORCHESTRA
8.20* Couperin Les Nonetes; La Bourbonnoise: La Manon
KENNETH GILBERT (harpsichord)
8.25* Telemann Concerto in B flat, for three oboes, three violins and continuo: MEMBERS OF
THE PHILADELPHIA ORCHESTRA conducted by EUGENE ORMANDY
8.36* Pergolesi Aria: Stizzoso, mio stizzoso (La serva padrona) TERESA BERGANZA (mezZO-SOp)
ORCHESTRA OF THE ROYAL OpERA
HOUSE, COVENT GARDEN conducted by ALEXANDER GIBSON
8.40* Carulli Duo in G: JULIAN BREAM, JOHN WILLIAMS (guitars)
8.47* Beethoven Ecossaises WILHELM KEMI'FF (piano)
8.50. Lortzing Overture: Der Wildschutz
BAMBERG SYMPHONY ORCHESTRA conducted by CHRISTOPH STEPP gramophone records
Introduced by JOHN LADE
Contributed by JEREMY BARLOW CHARLES OSBORNE , STEPHEN WALSH
C. P. E. Bach Sonatina In D minor <Wq 107)
REIMER KUCHLER (fortepiano) VIENNA CAPELLA ACADEMICA conducted by EDUARD MELKUS
10.32* Mozart Mass in c (The Coronation) (K317)
ILEANA COTRUBAS , HELEN WATTS
ROBERT TEAR , JOHN SHIRLEY-QUIRK SCHOLA CANTORUM OF OXFORD
ACADEMY OF
ST MARTIN-IN-THE-FIELDS conducted by NEVILLE MARRINER
11.0* Vivaldi Concerto in D minor (R Op 63 No 2)
MONIQUE FRASCA-COLOMBIER (viola d'amore)
NARCISO YEPES (guitar)
PAUL KUENTZ CHAMBER ORCHESTRA conducted by PAUL KUENTZ gramophone records
Stravinsky Suite Italienne
Schumann Fantasiestiicke , Op 73
Justin Connolly Tesserae in, for cello
Martinu Variations on a theme of Rossini RALPH KIRSHBAUM (cello) BRIAN LAMPORT (piano)
(A BBC Lunchtime Concert given in the Concert Hall, Broadcasting House, London, on 22 March)
ALFREDA HODGSON (contralto)
BBC SCOTTISH SYMPHONY ORCHESTRA conducted by ANDREW DAVIS Part 1
Brahms Tragic Overture
12.34* Mahler Kindertotenlieder
With JOHN AMIS
Part 2
Sibelius The swan of Tuonela (cor anglais RODNEY MOUNT)
1.40* Brahms Symphony No 3
Hugh Bean presents a profile of the Russian-born violinist with records. From 1920, part of the Goldmark concerto; from the 1940s, Waxman's Fantasy on Themes from Car-men and a Bing Crosby number; at 2.43* Bruch's Scottish Fantasia, recorded in 1961
HANAE NAKAJIMA (piano)
Debussy Preludes, Book 2 Ravel Miroirs
Madrigals from 11 trionfo dl Dori (1592) and the Triumphs of Oriana (1601): MEMBERS or THE BBC NORTHERN SINGERS director STEPHEN WILKINSON English and Italian virginal music played by ALAN CUCKSTON The third of four programmes
Introduced by PETER CLAYTON
' My exalted pupil in music, already a fellow-contestant for the laurel of fame ' (Beethoven to Archduke Rudolph. 1819) Archduke Rudolph Clarinet Trio (first broadcast performance in this country)
Beethoven Piano Sonata in I flat, Op 81a (The Farewell: Vienna, 4 May 1809, on the departure of HRH, the esteemed Archduke Rudolph )
Beethoven Clarinet Trio, Op 11 DANIEL ADNI (piano)
MEMBERS OF THE NASH ENSEMBU Introduced by MISHA DONAT
An opera in one act Words by BÈLA BALÁZS
English version CHESTER KALMAN Music by Bartok Sadler 's Wells Opera at the London Coliseum
Bartok's only opera was written in 1911. The plot bears little resemblance to Perrault's fairytale, being heavily laden with the symbolism then fashionable. It Is a parable of the unbridgeable gap in the relations of man and wife.
SADLER'S WELLS ORCHESTRA leader BARRY COLLINS conducted by CHARLES MACKERRAS
(9.5 pm: Oedipus Rex)
8.45* The Economics of Opera In Britain: discussion between Lord Harewood of Sadler's Wells Opera and John Tooley of the Royal Opera House, Covent Garden, with ANDREW PORTER in the chair
An opera-oratorio after SOPHOCLES
Words by JEAN COCTEAU
Latin version by jean DANIELOU Music by Stravinsky Sadler 's Wells Opera at the London Coliseum
Based on the tragedy of the Greek king who was destined to kill his father and marry his mother, this work is the most monumental of Stravinsky's essays in modern neo-classicism.
SADLER'S WELLS CHORUS chorus-master HAZEL VIVIENNE SADLER'S WELLS ORCHESTRA conducted by CHARLES MACKERRAS
A fortnightly series presenting arguments that challenge current orthodoxies
Christianity, Capitalism and Revolution by Brian Griffiths
A growing number of Christian Intellectuals who believe in active political involvement are committed. ideologically. to the left. They eschew capitalism as anti-Christian per se and identify with (sometimes violent) revolutionary movements. Brian Griffiths , a lecturer in economics at the London School of Economics, thinks otherwise. But he also feels himself, as a ' politically minded Christian,' more and more isolated - a voice crying in the wilderness
Concerto In c major (bwv 1061) GUSTAV LEONHARDT, ANNEKE UITTENBOSCH (harpsichords) LEONHARDT CONSORT gramophone record
Imrat Khan(sitar and surbahar)
Mahapurush Misra (tabla)
Sitar: Jaijaivantl (Evening Raga)
11.16* Tabla solo; 11.28* Surbahar: Miya ki Malhar (Raga of the monsoon season)