A programme of recent records Mozart Overture: La finta semplice: ACADEMY OF
ST MARTIN-IN-THE-FIELDS conducted by NEVILLE MARRINER
8.12* José Larrinaga Sonata in D minor; Manuel Sostoa Allegro in D: ANTONIO RUIZ-PIPO (piano)
8.21* Tchaikovsky Cradle song; My little minx; 0 stay ROBERT TEAR (tenor)
PHILIP LEDGER (piano)
8.32* Chopin Introduction and Rondo in E flat, Op 16
VLADIMIR HOROWITZ (piano)
8.44* Strauss Symphonic Poem: Till Eulenspiegel: NEW YORK PHILHARMONIC ORCHESTRA conducted by LEONARD BERNSTEIN

In the final programme of the series, a group of songs, including Die Forelle (The trout) ELIZABETH HARWOOD (soprano) with PAUL HAMBURGER (piano)
Trout Quintet (Piano Quintet in A major), as played at the 1971 Budapest Festival by ANNIE FISCHER and MEMBERS OF THE TATRAI STRING QUARTET With j. FERENC FARKAS (double-bass) (Hungarian Radio recording)

A record request programme
Debussy Prélude a l'apres-midi d'un faune: BERLIN PHILHARMONIC ORCHESTRA, conducted by HERBERT VON KARAJAN
Strauss Duet-Concertino for clarinet, bassoon and orchestra OSKAR MICHALLIK
JURGEN BUTTKEWITZ
BERLIN RADIO SYMPHONY ORCHESTRA conducted by HEINZ RÕGNER
Ives Symphony No 3: NEW YORK PHILHARMONIC ORCHESTRA
Conducted by LEONARD BERNSTEIN

(piano)
Beethoven Two Bagatelles (Op 33): No 3. in f, No 5, in c
Mussorgsky Pictures from an Exhibition

JACK MCCAW (clarinet) DAVID MASON (trumpet) RICHARD MORGAN (oboe) MICHAEL WINFIELD (oboe) NEW PHILHARMONIA CHAMBER ORCHESTRA leader CARLOS VILLA conducted by RAYMOND LEPPARD Part 1
Boccherini Symphony in B flat, Op 16 No 5
Nielsen Clarinet Concerto (1928)

This week: Martin Dalby

Part 2
Telemann Concerto in d, for trumpet, oboes, orchestra
Mozart Symphony No 36 (Linz) (A public concert given at the Queen Elizabeth Hall in 1971)

ALBERTO LYSY (violin) EKE MENDEZ (piano) Bloch Suite No 1
Schumann Sonata No 2

Lyric tragedy in four acts
Libretto adapted by TITO RICORDI from the play by D'ANNUNZIO Music by Riccardo Zandonai (sung in Italian)
Francesca, tricked into an unhappy marriage, is seduced by her handsome brother-in-law with the aid of a medieval romance.
M
)
ROME CHORUS AND SYMPHONY
ORCHESTRA OF ITALIAN RADIO conducted by NINO SANZOGNO (Italian Radio recording) Acts I and 2 3.20* Julian Budden introduces excerpts from D'Annunzio's drama read by GABRIEL WOOLF and PRUNELLA SCALES
3.40* Francesca: Acts 3 and 4

ITALIAN STRING TRIO
Beethoven Trio in E flat, Op 3 Schubert Trio in B flat (D 581)

ANDREW PORTER discusses hOW Prokofiev's musical inspiration is related to dance and examines his development as a composer of ballets from his Diaghilev-inspired works to the three ballets he composed on his return to the USSR. followed by an interlude

The Silent Woman (1609)
The comedy adapted for stereo by RAYMOND RAIKES
Music by STEPHEN DODGSON
with Marius Goring, Heron Carvic, Peggy Mount and Norman Shelley
Ladies Collegiate: with members of the ENGLISH CHAMBER ORCHESTRA leader jose-luis GARCIA conducted by RAE JENKINS Producer RAYMOND RAIKES
(Marius Goring is in "Sleuth" at St Martin's Theatre, London)
Interval (8.0*-8.10*) Stereo
Praetorius Six dances from Terpsichore
COLLEGIUM TERPSICHORE
gramophone record
followed by an interlude

Songs by this leading Swiss composer of the 20th century
Nachruf: Auf meines Kindes Tod: Abendlandschaft; Peregrina 11; Liederseelen; Der Romische Brunnen: Neujahrsglocken: Abendwolke
ROBIN FAIRHURST (baritone) ANTONY SAUNDERS (piano)

- a mere 35 minutes of Joseph Beuys
German sculptor, artist of the extreme, maker of ' actions ' such as ' Explaining art to a dead hare.' founder of a student party, Professor of Sculpture at Diisseldorf, Beuys talked to his fellow artist RICHARD HAMILTON during his visit to London earlier this year.

leader ELI GOREN conducted by JOHN ELIOT GARDINER
Ravel Suite: Mother Goose
Haydn Symphony No 103, in E flat major (Drum-roll)
Faurl Suite: Pelteas et Melisande
(Given before an invited audience in BBC Studio 1, Maida Vale, London, on 30 January)

Contrasted settings of Salve Regina. Alma Redemptoris and Ave Maria sung by PRO CANTIONE ANTIQUA conducted by CLIVE WEARING