Faure Suite: Masques et bergamasques
THE PARIS ORCHESTRA conducted by SERGE BAUDO
7.22' Litolff Scherzo (Concerto symphonique No 4) JOHN OGDON (piano) CITY OF BIRMINGHAM
SYMPHONY ORCHESTRA conducted by LOUIS FRÉMAUX
7.30* Offenbach, arr Rosenthal Ballet: Gaieté parisienne
BERLIN PHILHARMONfC ORCHESTRA conducted by HERBERT VON KARAJAN gramophone records
Gramophone records, including Adagio for strings and organ by Albinoni, transc Giazotto; Concerto a cinque in E flat by Albrechtsberger played by JOHN WILBRAHAM trumpet, with the ACADEMY OF ST MARTIN-IN-THE-FIELDS: and Symphony No 88, in G, by Haydn
Tchaikovsky
Symphony No 3, in D
USSR SYMPHONY ORCHESTRA conducted by EVGENY SVETLANOV gramophone record
conductor KENNETH ALWYN
James Langley Overture and Beginners
Bizet L'Arlésienne: Suite No 1 Trevor Roberts Pastorale
Ernest Tomlinson Suite of English Folk Dances
Illustrating Scottish influences on 19th-century composers Berlioz Overture: Rob Roy LONDON PHILHARMONIC ORCHESTRA conducted by SIR ADRIAN BOULT
Schumann Fiinf Gedichte der Konigin Maria Stuart
RÉGINE CRESPIN (soprano) .JOHN WUSTMAN (piano)
Donizetti Excerpts from Maria Stuarda: Den! l'accogli (Act 2): Final Scene (Act 3)
JOHN AI.I.DIS CHOIR
LONDON PHILHARMONIC ORCHESTRA conducted by ALDO CECCATO gramophone records
Bach French Suite No 5, in G Schumann Kinderscenen, Op 15 VERONICA MCSWINEY (piano)
GERALD ENGLISH (tenor)
BOURNEMOUTH SYMPHONY ORCHESTRA leader BRENDAN O'BRIEN conducted by EDO DE WAART Part 1
Haydn Symphony No 92 (Oxford)
12.31* Britten Nocturne, for tenor, seven obbligato instruments and string orchestra
Part 2 Beethoven
Symphony No 7, in A major
Opera in two acts Music by Puccini
Libretto by GIUSEPPE GIACOSA and LUIGI ILLICA (sung in Italian)
(gramophone records)
Cast in order of singing:
Lieutenant B F Pinkerton, us Navy ....
CHORUS AND ORCHESTRA OF THE ROME OPERA HOUSE conducted by SIR JOHN BARBIROLLI
The action: the .early 1900s, at Nagasaki, Japan. Act 1
2.45* During the Interval
EDWARD GREENFIELD discusses the musical structure of Puccinis operas.
3.0* Madam Butterfly Act 2
Rossini Overture: Tancredi
PHILHARMONIA ORCHESTRA conducted by CARLO MARIA GIULINI
4.42' Haydn Cello Concerto in C (H VIIIb 1): JACQUELINE DU PRE ENGLISH CHAMBER ORCHESTRA conducted by DANIEL BARENBOIM
5.9* Stravinsky Ballet: Petrushka: BOSTON SYMPHONY ORCHESTRA conducted by PIERRE MONTEUX gramophone records
Tales and Music for Younger Listeners with David Munrow
DENIS MATTHEWS takes a look at some musical events in the South and West, Scotland and Northern Ireland during the next seven days.
6.30 Un paso ma's
Second-year Spanish
17: El senor Diez estd enfermo (Book 425p: see page 58)
7.0 This Was Their World
Ten programmes on approaches to the study of local history 7: Parish Pump Politics with R. L. GREENALL of the University of Leicester
Also taking part: ALFRED PEAcock of the York Educational Settlement: DR NORMAN MCCORD of the University of Newcastle; and DR PETER HENNOCK of the University of Sussex.
Producer ROBERT BROOKES (Book £2.40: see page 58)
Symphony No 5, In B flat major Symphony No 3, in d major BBC SYMPHONY ORCHESTRA leader ELI GOREN conducted by Szymon Goldberg
sung by PRO CANTIONE ANTIQUA conducted bv BRIAN BROCKLESS Part 1 Dufay
Two Motets and a Mass: Ave regina coelorum
by NICHOLAS TAYLOR
William Butterfield by Paul Thompson and Thomas Cubitt : Master Builder by Hermione Hobhouse are recently published definitive biographies of these two key figures standing at the opposite poles of Victorian architecture: Cubitt, creator of Belgravia and the modern building industry: Butterfield, the devout churchman. Nicholas Taylor suggests that architectural biographers are still hooked on the Renaissance heresy of the architect as disposer supreme.
Part 2 Victoria
Motet and Mass: 0 magnum mysterium
(1886-1961)
ERIC WHITE talks about the work of the great American imagist poet, Hilda Doolittle , whom he first knew in the 1930s and subsequently met again in the 1950s. Poems and extracts from her letters are read by a young American poet living in England today, LOLA HASKINS. followed by an interlude
(1872-1915)
ROBERTO SZYDON plays
Piano Sonatas Nos 4, 5 and 6, and the early Sonata Fantasia, written when Scriabin was 14 (gramophone records)