Time: GTS 8.0 am

Records of music by Offenbach, Messager, Satie and Sauguet

Beethoven Quartet in D major, Op 18 No 3 GUARNERI STRING QUARTET

9.27* Beethoven Sonata in E major, Op 109 ALFRED BRENDEL (piano)
(From a concert given at the 1969 York Festival)

9.48* Mahler Symphony No 9 AMSTERDAM CONCERTGEBOUW ORCHESTRA conducted by BERNARD HAITINK
(From a 1970 Promenade Concert)

Introduced by JOHN LADE
Building a Library: Strauss's Der Rosenkavalier, by CHARI.ES OSBORNE
Recent orchestral records: ROBERT HENDERSON

NORMA BURROWES (soprano) BBC SCOTTTISH SYMPHONY
ORCHESTRA led by HUGH BRADLEY conductor CHRISTOPHER SEAMAN Part 1
Mozart Overture: Die Entfiihrung aus dem Serail
12.25* Mozart Arias: Traurigkeit ward mir zum lose; Ach. ich liebte (Die Entfiihrung aus dem Serail)
12.41* Bartok Suite: The Miraculous Mandarin

Midday Concert: part 2
1.5 Sibelius Symphony No 2

A personal choice of records presented by Philip Jones including at 1.50, music for voices and brass by Scheidt and Schutz; at 2.17* Sir Thomas Beecham conducting music by Mozart and Rimsky-Korsakov; at 2.42* a group of pieces by Webern including some songs and his Opus 10 conducted by Pierre Boulez; at 2.56* excerpts from Beethoven's Fidelio, with Martha Modi and Wolfgang Windgassen with Wilhelm Furtwangler conducting (mono); and at 3.44* Carlo Maria Giulini conducting Tchaikovsky's Francesca da Rimini

LINDSAY STRING QUARTET with ANDRE TCHAIKOWSKY (pianO)
Haydn String Quartet in D minor, Op 42
Faur* Piano Quartet in c minor. Op 15

JOHN amis talks to artists concerned with the highlights of next week's broadcast music.

Introduced by PETER CLAYTON

Alexander Young (tenor)
English Chamber Orchestra
leader Jose-Luis Garcia
conducted by Charles Mackerras and Witold Lutoslawski

Mozart Adagio and Fugue in C minor, for string orchestra (K 546)
Lutoslawski Paroles tissees, for tenor, strings, harp, piano and percussion
(conducted by The Composer)
Mozart Symphony No 31, in D major (Paris) (K 297)

(fate)
Opera in a prologue, two acts and an epilogue
Libretto by FEDORA BARTOSOVA
English version by JEAN EISLER Music by Janacek
(first broadcast performance in this country)
Apart from two early and unconvincing experiments, Osud is the only opera of Janacek's that remains unknown to the musical world at large Written in 1904-1906, soon after Jenufa, it was never performed in the composers lifetime. The story bears the imprint of a personal experience. It concerns Zhivny, a struggling composer, and his love affair with the society beautv Mila, which has been thwarted by an ambitious mother Many years later at a spa the lovers decide to elope; but their triumph turns the mother insane so that she causes her own and her daughters death. All this Zhivny recounts to students who are rehearsing his opera. reliving the experience through music of great vividness and intensity.
trained by SYBIL BELL BBC CHORUS
BBC CONCERT ORCHESTRA leader ARTHUR LEAVINS conducted by VILEM TAUSKY Repetiteur MARTIN PENNY Producer JULIAN BUDDEN
(Given before an invited audience in the Camden Theatre, London, on 16 October 1971)
(Gregory Dempsey and Ann Howard broadcast by permission of Sadler's Wells Opera)
Prologue: a rehearsal room of a famous conservatoire Act 1 A fashionable spa

Reflections on current affairs
Lord Annan, Provost of University College, London, and historian of ideas, gives the first of four talks.

Act 2 A room in Zhivny's house Epilogue: a rehearsal room of a famous conservatoire

Theatre
Introduced by BRYAN MAGEE This edition includes:
EDWIN MULLINS , who looks at Picasso as a playwright and particularly at Four Little Girls, now at the Open Space, London and JOHN SPURLING , who discusses the state of the stage musical in a week which sees the opening of the American production Company at Her Majesty's Theatre, London Producer ALAN HAYDOCK

Andre Tchaikowsky (piano) Fourth of five recitals
Partita in B minor (Overture in the French style)
Concerto in the Italian style
(A public concert promoted by the City Music Society at the Bishopsgate Hall, 18 Nov 1971)

Music can often make us laugh in the same way that jokes can. The range of ' musical jokes' is very wide - from the imitation of birds and animals or the setting of funny words, to the subtle and more inherently musical wit that characterises so much of Haydn's work.
RICHARD RASTALL , Lecturer in Music at the University of Leeds, has chosen his examples from all periods of the past 500 years of Western music.

Third in a weekly series of late-night musical entertainments
This week music by Shostakovich, Stravinsky, Debussy, Janacek and Prokofiev performed by CHRISTOPHER BUNTING (cello) ERNEST LUSH (piano) and on gramophone records: CHICAGO SYMPHONY ORCHESTRA conducted by LEOPOLD STOKOWSKI GEORGE SHIRLEY and LOREN DRISCOLL (tenors)
WILLIAM MURPHY (baritone) DONALD GRAMM (bass)
TONI KOVES (cimbalom)
COLUMBIA CHAMBER ENSEMBLE conducted by IGOR STRAVINSKY MELOS ENSEMBLE
MOSCOW RADIO SYMPHONY
ORCHESTRA, conducted by GENNADI ROZHDESTVENSKY