Programme Index

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Lully Ballet Suite: Le bourgeois gentilhomme
MAINZ CHAMBER ORCHESTRA conducted by GÜNTER KEHR Fux Sinfonia No 2
VIENNA CONCENTUS MUSICUS conducted by NIKOLAUS HARNONCOURT
Boismortier Ballet Suite: Daphnis and Chloe EMIL SEILER CHAMBER ENSEMBLE

Contributors

Conducted By:
Nikolaus Harnoncourt
Unknown:
Chloe Emil Seiler

Morning Concert: part 2
8.5 Schumann Overture: Man-fred
BERLIN PHILHARMONIC ORCHESTRA conducted by RAFAEL KUBELIK
Dvorak Cello Concerto in B minor: MSTISLAV ROSTROPOVICH BERLIN PHILHARMONIC ORCHESTRA conducted by HERBERT VON KARAJAN gramophone records

Contributors

Conducted By:
Rafael Kubelik
Conducted By:
Herbert von Karajan

Ireland and Bax
Ireland Prelude: The Forgotten Rite
LONDON PHILHARMONIC ORCHESTRA conducted by SIR ADRIAN BOULT
9.13* Bax Symphonic Poem: The Happy Forest
LONDON SYMPHONY ORCHESTRA conducted by EDWARD DOWNES
9.24* Ireland Concertino pastorale, for string orchestra
LONDON PHILHARMONIC ORCHESTRA conducted by SIR ADRIAN BOULT gramophone records

Contributors

Conducted By:
Sir Adrian Boult
Conducted By:
Edward Downes
Conducted By:
Sir Adrian Boult

Another in a series of programmes on Tuesday mornings, each devoted to music composed in the same year Weber Six Ecossaises
Clementi Sonata in G major, Op 40 No 1
ALBERT FERBER (piano)
Beethoven Symphony No 2, in D BERLIN PHILHARMONIC ORCHESTRA conducted by HERBERT VON KARAJAN (gramophone record)
Haydn Scottish Songs: 'Twas even, - or, the Lass of Ballochmyle; Ay waking, 01: A rose-bud by my early walk; 0 Tibbie! I ha'e seen the day; 'Twas at the hour of dark midnight JOHN MITCHINSON (tenor) NINA WALKER (piano)
Beethoven Sonata in D minor, Op 31 No 2
ALBERT FERBER (piano)
Haydn Mass in 8 flat major (Harmoniemesse)
ERNA SPOORENBERG (soprano) HELEN WATTS (contralto) ALEXANDER YOUNG (tenor) JOSEPH ROULEAU (bass)
CHOIR OF ST JOHN'S COLLEGE, CAMBRIDGE
BRIAN RUNNETT (Organ) ACADEMY OF
ST MART IN-THE-FIELDS conducted by GEORGE GUEST (gramophone record)

Contributors

Piano:
Albert Ferber
Conducted By:
Herbert von Karajan
Tenor:
John Mitchinson
Piano:
Beethoven Sonata
Piano:
Albert Ferber
Conducted By:
George Guest

A programme including two rarely heard works which were presented by the Haydn-Mozart Society in association with the BBC at the Royal Festival Hall, London, on 3 July 1970
Kbnig Thamos (Choruses and Entr'acte)
(Festival Hall recording)
2.50* Variations on Salve tu, Domine (K 398)
3.0* Sonata in A minor (K 310) EMIL GILELS (piano)
(Recording made available by courtesy of Austrian Radio)
3.25* Cantata: Davidde penitente
MARGARET PRICE (SOpranO) ANGELA BEALE (soprano) IAN PARTRIDGE (tenor) BBC CHORUS
ANDREW DAVIS (organ continuo) LONDON MOZART PLAYERS leader ROBERT MASTERS conductor HARRY BLECH
(Festival Hall recording)

Contributors

Unknown:
Kbnig Thamos
Conductor:
Harry Blech

International Rostrum of Composers. 1971
Introduced by MICHAEL HALL
Murray Schafer String Quartet PURCELL STRING QUARTET, VANCOUVER
(Recording made available by courtesy of CBC)
Per Nergaard Symphony No 2 (first broadcast in this country) DANISH RADIO SYMPHONY ORCHESTRA conducted by HERBERT BLOMSTEDT (Recording "made available by courtesy of Danish Radio)

Contributors

Introduced By:
Michael Hall
Introduced By:
Murray Schafer
Conducted By:
Herbert Blomstedt

BBC SCOTTISH CHORAL SOCIETY conductor ANDREW DAVIS
GLASGOW UNIVERSITY CHAPEL CHOIR conductor EDWARD GARDEN sing music by Tippett, Vaughan Williams. Frederick Rimmer. Palestrina, Byrd, and arrangements by Kenneth Elliott and Martin Shaw.

Contributors

Unknown:
Vaughan Williams.
Unknown:
Kenneth Elliott
Unknown:
Martin Shaw.

6.30 The Arab Heritage
Ten programmes on the culture of the Arab world and its contribution to civilisation
2: The Splendour of the Arab Courts. DR WALID ARAFAT. Reader in Arabic at the University of London, traces the growth and achievements of Arab civilisation in such centres as Bagdad. Cairo and Cordoba. Producer IAN GRIMBLE
7.0 Work face
A 20-part case study in industrial relations
Script by BENNETT STRUTTON with analytical commentary by PAT LOWRY , Director of Industrial Relations, British Leyland Motor Corporation 2: A Secure Jobt
' Why should the fact that you don'use a bloody pen automatically mean you must spend your life putting a card in a clock because you're not trusted to be honest - and all the time the fear at the back of you that some joker from London is deciding to put you on short time.' (Glyn Roberts , Convenor. Swansea)
With TONY HALL , MALCOLM HAYES BRIAN HEWLETT , NERYS HUGHES LEO MAGUIRE , JON ROLLASON and TALFRYN THOMAS
Producer JOHN TURTLE

Contributors

Unknown:
Dr Walid Arafat.
Producer:
Ian Grimble
Script By:
Bennett Strutton
Commentary By:
Pat Lowry
Unknown:
Glyn Roberts
Unknown:
Tony Hall
Unknown:
Malcolm Hayes
Unknown:
Brian Hewlett
Unknown:
Nerys Hughes
Unknown:
Leo Maguire
Unknown:
Jon Rollason
Unknown:
Talfryn Thomas
Producer:
John Turtle

conducted by Bernard Haitink from the Royal Festival Hall
HEATHER HARPER (soprano) PETER PEARS (tenor)
THOMAS HEMSLEY (baritone)
LONDON PHILHARMONIC ORCHESTRA CHAMBER ENSEMBLE
LONDON PHILHARMONIC CHOIR conductor JOHN ALLDIS WANDSWORTH SCHOOL BOYS' CHOIR director of music RUSSELL BURGESS RALPH DOWNES
(organ and harmonium)
LONDON PHILHARMONIC ORCHESTRA leader RODNEY FRIEND

Contributors

Conductor:
Bernard Haitink
Soprano:
Heather Harper
Tenor:
Peter Pears
Baritone:
Thomas Hemsley
Conductor:
John Alldis
Director of Music:
Russell Burgess
Organ:
Ralph Downes
Leader:
Rodney Friend

Quintet in c major (K 515) AMADEUS STRING QUARTET Norbert Brainin (violin) Siegmund Nissel (violin) Peter Schidlof (viola) Martin Lovett (cello) with CECIL ARONOWITZ (viola)

Contributors

Violin:
Norbert Brainin
Viola:
Peter Schidlof
Cello:
Martin Lovett
Viola:
Cecil Aronowitz

BBC Radio 3

About BBC Radio 3

Live music and the arts: broadcasts more live music than any other radio network. Classical music is its core. Genres include world and new music, jazz, speech and drama.

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More