Time: GTS 8.0 am

Cleveland Orchestra conducted by GEORGE SZELL
Rossini Overture: The Journey to Rheims
8.12' Mozart Sinfonia concertante in E flat, for violin, viola, and orchestra (K 364)
RAFAEL DRUlAN , ABRAHAM SKF.RNICK
8.44* Rimsky-Korsakuv Spanish Caprice gramophone records

A series to present some of the great compositions
This week Beethoven's Hammerklavler Sonata is preceded by two other virtuoso keyboard works, bv Mozart's Adagio and Fugue for strings, and by two chamber works which also have fugues as last movements Haydn Quartet in F minor, Op 20 No 5
BARTOK STRING QfARTET
9.29* Bach Toccata and Fugue in F major (S 540)
GERAINT JONES (organ of the Abbey Church. Herzogenburg) (Recording made in collaboration with Austrian Radio)$
9.45* Beethoven Sonata in D major. Op 102 No 2, ZARA NELSOVA (Cello)
GRANT JOHANNESEN (piano)
(From the Queen Elizabeth Hall , London) 1
10.5* Mozart Fantasia in F minor (k 608): SIMON PRESTON (organ of Westminster Abbey) gramophone record
10.18* Mozart Adagio and Fugue in c minor, for string orchestra (K 5461
PHILHARMONIA ORCHESTRA conducted by OTTO KLEMPERER gramophone record
10.27* Bcclhotcn Piano Sonata in B flat major, Op 106 (Hammerklavier) played by ALFRED BRENDEL

Introduced by JOHN LADE
Building a Library: Sibelius's Symphony No 7, in c, by STEPHEN WALSH
Recent records of opera: reviewed by MARK LUBBOCK

DOUGLAS CUMUINGS (Cello) RADU LUPU (piano)
LONDON SYMPHONY ORCHESTRA conductor ANDRE PREVIN Part I
Berlioz Overture: Beatrice and Benedict
Prcrin Cello Concerto (first performance in this country)

Through Crisis Towards Maturity
HANS GAL speaks about Brahms and his work as reflected in the first Piano Concerto,

Part 2 Brahms
Piano Concerto No 1, in d minor
(A public concert given in the Fairfleld Hall, Croydon, on 17 October 1970)

A personal choice of records presented by Misha Donat Including at 2.14* Bach's Cantata No 27: Wer weiss. wie nahe mir mein Ende; at 2.39* Haydn's Piano Trio in F sharp minor: at J.4* Seven Early Songs by Berg: at 3.38* ARTUR SCHNABEL playing Mozart's Rondo in A minor (K 511); and at J.48* Strauss's Till Eulenspiegel

Duo concertant, for violin and piano
Three Pieces for clarinet Suite: The Soldier's Tale ERICH GRUENBERG (violin) JOHN CONSTABLE (piano) ANTONY PAY (clarinet) LONDON SINFONIETTA directed by DAVID ATHERTON
(A BBC Lunchtime Concert broadcast from St John 's, Smith Square. London, SW1, on 2 March 1970)
(John Constable and David Atherton broadcast bv permission of the General Administrator, Royal Opera House Covent Garden)

JOHN AMIS talks to artists - composers, conductors, or performers - most closely concerned with the highlights of next week's broadcast music,

Introduced by STEVE RACE

Grieg Funeral March in memory of Rikard Nordraak
6.7* Guntlier Schuller Symphony. Op 16
PHILIP JONES BRASS ENSEMBLE directed by ELGAR HOWARTH

by Dr Donald Schon
A second hearing of the 1970 series, followed by questions from an invited audience
1: The Loss of the Stable State
One way of describing the era in which we live, says Dr Schon. is that it is characterised by a loss of the stable state: there is no organisation or institution that feels adequate to the challenges which face it. And. since persons get their own stability from the different social systems in which they have their roles. the stable state for persons is being eroded too.
Dr Schon. philosopher by training, and author of The Displacement of Concepts, is now President of a non-profit-making consultancy firm in Cambridge. Massachusetts, the Organisation for Social and Technical Innovation, and a member of the us Commission On the Year 2000.

from the Queen Elizabeth Hall , London ANGELA BEALE (SOpranO)
JAMES BOWMAN (counter-tenor) JOHN ELWF. S (tenor) DAVID THOMAS (bass) LOUIS HALSEY SINGERS
MARTIN NEARY (organ continuo) CHRISTOPHER HOGWOOD
(harpsichord continuo) PHILOMUSICA OF LONDON leader WILLIAM ARMON conducted by Louis Halsey Part I

by JOHN ADAMS Head of English Department, Sevenoaks School
Since F. R. Leavis and Denys Thompson published Culture and Environment in 1933, it has gradually come to be accepted that English teaching must concern itself with the Media and the commercial scene. But how? Mr Adams holds that value judgments cannot be divorced from awareness of the social pressures which shape the media, and that children need to discover through practice how a medium moutds its message,

Part 2

HENRY RAYNOR introduces some examples of the creative work of trained and untrained young composers, and tries to draw some conclusions about youthful taste and imagination, followed by an interlude

FREDERICK GRINKE (violin) BBC SYMPHONY ORCHESTRA conducted by Lennox Berkeley
Five Pieces, for violin and orchestra