Time: GTs 7.0 am

Mendelssohn Symphony No 10, in B minor, for string orchestra ACADEMY OF ST MARTIN-IN-THE-FIELDS directed by NEVILLE MARRINER (violin)
7.14* Mozart Divertimento No 16, in E flat (K 289)
LONDON WIND SOLOISTS directed by JACK BRYMER (clarinet)
7.28* Dvorak Serenade in E, for string orchestra
HAMBURG RADIO SYMPHONY
ORCHESTRA conducted by HANS SCHMIDT-ISSERSTEDT

Morning Concert: part 2
8.5 C. P. E. Bach Sinfonia In c (Wq 182 No 3)
ENGLISH CHAMBER ORCHESTRA conducted by RAYMOND LEPPARD
8.18* J. C. Bach Sinfonia Concertante in c
RICHARD ADENEY (flute) PETER GRAEME (oboe)
EMANUEL HURWITZ (violin) KEITH HARVEY (cello)
8.40* Bach Suite No 3, in D BATH FESTIVAL CHAMBER ORCHESTRA conducted by YEHUDI MENUHIN gramophone records

Debussy
Images (Series 1)
WALTER GIESEKING (piano)
9.20* Trois ballades de Francois Villon
DIETRICH FISCHER-DIESKAU (baritone)
KARL ENGEL (piano)
9.32* Images (Series 2)
WALTER CIESEKING (piano) gramophone records

Prokofiev Russian Overture MOSCOW RADIO
SYMPHONY ORCHESTRA conducted by GENNADI ROZHDESTVENSKY
9.59* Arensky Piano Concerto in F minor
ARNOLD KAPLAN MOSCOW PHILHARMONIC ORCHESTRA conducted by BORIS KHAIKIN
10.26* Glazunov Finnish Rhapsody
MOSCOW RADIO
SYMPHONY ORCHESTRA conducted by EVGENY SVETLANOV gramophone records

Sixth in a series of 12 piano recitals
Abegg Variations, Op 1
Novelletten (Op 21): No 5, in D major; No 6, in a major; No 7, in E major; No 8, in F sharp minor
Faschingsschwank aus Wien, Op 26 played by JANOS SOLYOM (piano)

CITY OF BIRMINGHAM SYMPHONY ORCHESTRA leader FELIX KOK conducted by HAROLD GRAY
Dvorak Scherzo capriccloso
Mozart Symphony No 41, in c (Jupiter) (K 551)
Elgar Variations on an original theme (Enigma)

A Satie Entertainment given by MERIEL DICKINSON (mezzo-soprano)
PETER DICKINSON (piano)
The programme includes the complete songs with piano, Le Piege de Méduse for piano, and readings from Satie's letters
(Eleventh of 12 public concerts in the Friends' Meeting House, Manchester, promoted by the Manchester Tuesday Midday Concerts Society in association with the BBC)

Mozart Sonata in B flat major (K 333)
Chopin Nocturne in B major, Op 32 No 1; Ballade in A flat NATALIA KARP (piano)

NOELLE BARKER (soprano) CARL HICKMANN (piano)
DARTINGTON STRING QUARTET Part 1
Skalkottas String Quartet No 3 Wellesz Five Sonnets of Elizabeth Barrett Browning , for soprano and string quartet
3.20* during the interval EGON WELLESZ talks to PETER DICKINSON about his early years in Vienna and the influence of Mahler and Schoenberg upon his work.
3.40* Chamber Concert 0 Part 2
Schoenberg Three pieces for piano, Op 11
Wellesz Studies in grey: five pieces for piano, Op 106 (first performance)
Schoenberg String Quartet No 2, Op 10, with soprano in the last two movements
(A 1970 Bromsgrove Festival Concert from Bromsgrove College of Further Education)

Bundesjugendorchester conducted by VOLKER WANGENHEIM with JUSTUS FRANTZ (piano)
Beethoven Overture: Coriolan Werner Hetder Edition D (first broadcast in this country)
Beethoven Piano Concerto No 3 in c minor
Beethoven Symphony No 4, In B flat major
(From the 1970 Karajan Festi val: recording made available by courtesy of RIAS, Berlin)

MAURICE BEVAN takes a look at some musical events in the South and West, Scotland, and Northern Ireland during the next seven days.

Ten programmes in which MEL HILL traces the development of jazz through the lives and music of its most influential exponents
7: Charlie Parker
He enlarged the harmonic and technical resources of jazz and produced music with great vitality, emotional power, and an unprecedented musical sophistication.
Produced by DAVID HARDING
(First broadcast by BBC Radio Stoke in November, 1969)
(This Week's Sounds: page 11)
6.30-7.0 VHF Open University: see Radio 3 VHF on facing page

5: The Restoration
ANTHONY LEWIS comments on the vigorous and colourful life of this period and shows that musically as well as politically, this was indeed an era of Restoration.' In discussing one of England's finest composers, he demonstrates how Henry Purcell concentrates into a few dozen bars an expressiveness for which another composer might need a hundred - and still not attain.' Produced by DAVID EPPS
(A supplementary programme of longer musical examples can be heard on Radio 3 tomorrow at 5.5 pm)
(For publication see page 14)

Buxtehude Chorale Prelude on Puer natus in Bethlehem
Bruhns Prelude and Fugue in G major
Played by NICHOLAS DANBY on the organ of St Mary's Church, Lemgo gramophone record

BELA SIKI (piano) BOURNEMOUTH SYMPHONY ORCHESTRA leader BRENDAN O'BRIEN conducted by GEORGE HURST from the Winter Gardens,
Bournemouth Part 1
Benjamin Frankel Symphony No 4
8.15. Bartok Piano Concerto No 3

WILLIAM Barclay , Professor of Biblical Criticism at Glasgow University, examines the recently published Companion to the New English Bible by A. E. Harvey ,

Part 2 Bruckner
Symphony No 6, in A major

A study of his development in the last decade of his life. ATES ORGA examines the way in which our own attitude towards Liszt is changing,

given bv
ALFREDA HODGSON (contralto) ALEXANDER YOUNG (tenor) with HAROLD LESTER (piano) Schumann
Song-cycle: Frauenliebe und -leben, Op 42
Liederkreis, Op 24
Duets (Op 34): Liebhabers Standchen ; Unterm Fenster