Time: GTS 8.0 am
Bonporti Violin Concerto in D major, Op 11 No 8 ROBERTO MICHELUCCI I MUSICI
Bach Violin Concerto in A minor
ARTHUR GRUMJAUX
ENGLISH CHAMBER ORCHESTRA directed by RAYMOND LEPPARD (harpsichord) Vivaldi Concerto in E minor, for four violins and orchestra (L'estro armonico)
WALTER PRYSTAWSKJ , TOMOTAÐA SOH GERARDO RIBEIRO , RUDOLF BARNERT LUCERNE FESTIVAL STRINGS directed by RUDOLF BAUMGARTNER (violin)
Bach Concerto in c major, for three harpsichords and string orchestra
MARTIN GALLING, HEDWIG BILGRAM
FRANZ LEHRNDORFER MAINZ CHAMBER ORCHESTRA conducted by GÜNTER KEHR gramophone records
Mass in A flat major (Missa solemnis)
MARIA STADER (soprano)
MARC .A HOFFGEN (contralto) ERNST HAEFLIGER (tenor) HERMANN UHDE (baSS)
REGENSBURG CATHEDRAL CHOIR EBERHARD KRAUS (Organ) BAVARIAN RADIO SYMPHONY
ORCHESTRA conducted by georg RATZINGER gramophone record
Introduced by JOHN LADE
Building a Library: Beethoven's Violin Sonata in A, Op 47 (Kreutzer), by DOMINIC GILL
Three Centuries of Music: an anthology reviewed by CHARLES CUDWORTH
Thomas Igloi (cello)
London Philharmonic Orchestra, co-leader Gerald Jarvis
Introduced and conducted by Trevor Harvey
from the Royal Festival Hall, London
Schubert - Overture: Rosamunde
Mozart - Symphony No 41, in C major (Jupiter) (K 551) (first and second movements) Mozart - March in D major (K 335 No 2)
Dvorak - Cello Concerto in B minor (first movement)
Vaughan Williams, orch Jacob - Seventeen come Sunday (English Folk Song Suite)
Twelve Variations on a Minuet from Haibel's ballet Le nozze disturbate (WoO 68) JOHN OGDON (piano) gramophone record
MELVILLE COOKE (organ)
CHOIR OF LEEDS PARISH CHURCH directed by DONALD HUNT with PETER LEAH (double-bass) ANTHONY LANGFORD (organ)
Corissimi Beatus vir (first broadcast performance in this country)
Bach Trio-Sonata No 6, in G major
(played by Melville Cooke )
Hans Werner Zimmermann Uns ist ein Kind geboren; Gelobt sei der Herr taglich
1.5 Cavalli Salve Regina (first broadcast performance in this country)
Kenneth Leighton Cantata : Crucifixus pro nobis, for treble, chorus, and organ
Kenneth Leighton Prelude , Scherzo, and Passacaglia for organ
(played by Melville Cooke )
Donald Hunt St Peter Mass (first broadcast performance)
A personal choice of records presented by Ian Partridge including at 2.17* VLADIMIR ASHKENAZY playing Chopin's Scherzo in c sharp minor; at
2.25* Mozart's Symphony No 33, in 8 flat (k 319): at 2.47' DIETRICH FISCHER-DIESKAU singing Mahler's Kindertotenlieder: at
3.0* Symphonic Suite: Printemps by Debussy; at 3.18* THE WESTMINSTER CATHEDRAL CHORISTERS singing Britten's Missa brevis; and at 3.33* ARTUR RUBINSTEIN playing Saint-Saens's Piano Concerto No 2, in G minor
TESS MILLER (oboe) CELIA NICKLIN (Oboe)
SUSAN LEADBETTER (cor anglais) RONALD LUMSDEN (piano)
Beethoven Trio in c major. Op 87
4.31* Bartok Minor seconds, major sevenths (Mikrokosmos, Vol 6)
Bartok Suite: Out of doors
4.52* Beethoven Variations on La ci darem, from Mozart's Don Giovanni
(A BBC Lunchtime Concert given in the Concert Hall, Broadcasting House, London. last July) *
JOHN amis talks to artists concerned with the highlights of next week's broadcast music
Introduced by STEVE RACE
Another in a series of occasional programmes of new developments in music is devoted to an improvisation by AMM:
Eddie Prevost , Keith Rowe
Christopher Hobbs , Lou Gare Cornelius Cardew
EDDIE PREVOST talks about AMM and the programme is introduced by MARTIN DALBY
MARTIN ESSLlN discusses the strange paradox of George Lukacs 's stand on Alexander Solzhenitsyn.
With the voices of RONALD FORFAR, JOHN PULLEN
HECTOR ROSS , and CYRIL SHAPS Produced by SUSANNA CAPON
Preludes and Fugues (Op 87): No 12, in G sharp minor; No 15, in D flat
SVIATOSLAV RICHTER (piano) gramophone records
NORMA BURROWES (soprano) SYBIL MICHELOW (contralto) IAN PARTRIDGE (tenor) DAVID THOMAS (bass)
DAVID LUMSDEN (organ) LOUIS HALSEY SINGERS PHILOMUSICA OF LONDON led by PATRICK HALLING conducted by LOUIS HALSEY from the Queen Elizabeth Hall , London Part 1
Kyrie; Gloria
Baroness White formerly Eirene White , MP
The last of three fortnightly talks
Part 2
Credo; Sanctus
Benedictus; Agnus Dei
A programme in which different interpretations on gramophone records are compared. JAMES GIBB and PAUL HAMBURGER discuss the first movement of Mozart's Piano Concerto in B flat (K 595), as recorded by Backhaus, Badura-Skoda, Barenboim, Brendel, Casadesus, Fischer, Haebler, Haskil, Kempff, Matthews, Schnabel, Serkin, and others,
Capriccio, for piano (left hand), flute, and brass MALCOLM BINNS (piano)
PHILIP JONES BRASS ENSEMBL1 With NORMAN KNIGHT (flute and piccolo) directed by ELGAR HOWARTSH S