Time: GTS 7.0 am
Cluck Ballet: Don Juan ACADEMY OF ST MARTIN-
IN-THE-FIELDS directed by NEVILLE MARRINER (violin)
Morning Concert: part 2 0
8.4 Mozart Symphony No 17. in G major (K 129)
ORCHESTRA OF NAPLES conducted by DENIS VAUGHAN
8.t7* Mendelssohn Piano Sonata in E major. Op 6
KARL ULRICH SCHNABEL
8.41* Humperdinck Overture; Dream Pantomime (Hansel and Gretel)
PHILHARMONIA ORCHESTRA conducted by otto KLEMPERER gramophone records
Haydn
Divertimento No 5, in D major LONDON WIND SOLOISTS directed by JACK BRYMER (clarinet)
9.14* Quartet in G major, Op 54 No 1
ALLEGRI STRING QUARTET Eli Goren (violin)
Peter Thomas (violin) Patrick Ireland (viola) William Pleeth (cello)
9.33* Divertimento No 3, in c major
LONDON WIND SOLOISTS directed by JACK BRYMER (clarinet) gramophone records
played by ROBERT MUNNS with NOELLE BARKER (soprano)
Bach Chorale Prelude on Ich rut' zu dir. Herr Jesu Christ (s 639)
Purcell The Queen's Epicedium:elegyonthedeathof
Queen Mary, for voice and organ
Brahms Chorale Prelude on Es ist ein' Ros' entsprungen
Lutyens Epithalamion. for soprano and organ (first broadcast performance)
Georgi Mushel Toccata (Suite for organ)
From Holy Trinity Church, Brompton Road, London
led by PETER GIBBS conducted by STANLEY BUCK
at Lord's
(Fifth and final day)
Ball-by-ball commentaries by JOHN ARLOTT , ALAN GIBSON , and BRIAN JOHNSTON with comments and summaries by TREVOR BAILEY
Close-of-play summary by E. W. SWANTON
10.55 - 1.35*
2.10*-4.20*
4.30* 5.40 or 6.10 including lunch, teatime, and close of play summaries
On Tuesday, when a Test Match is being played, Test Match Special may continue until 6.25 pm, according to whether an optional extra half-hour of play is called for. If play finishes before this time. Radio 3 will broadcast music programmes from any time after 5.40 pm. On days when it is known at close of play the day before that there will be no play, normal Radio 3 programmes will be broadcast. On days when play finishes early or is abandoned at any time after it has begun, the normal Radio 3 music programmes will be resumed approximately one hour after play has ceased.
DAS GROSSE WIENER RUNDFUNK
ORCHESTRA conducted by MAX SCHÖNHERR
LIGHT ORCHESTRA FROM STUTTGART conducted by WILLY MATTES
(Recordings made available by courtesy of Austrian and South German Radios)
(This programme may be shortened or cancelled depending on the state of play in the Test Match)
The uses of nature
5: People and Plants
Most gardens are planned - the plants aren'allowed to grow as they like. So what do people want from their gardens - closeness to nature, control over it, or both? An investigation by RICHARD MABEY , with NAN FAIRBROTHER , author Of Men and Gardens
Produced by robin BRIGHTWELL
Inside the Big School
PROFESSOR JOHN MAYS of Liverpool University discusses his investigation of a large comprehensive school in Lancashire With WILLEM VAN DER EYKEN. In the second half of the programme teachers and parents give their reactions to his findings in the light of their own experience.
Produced by JUDITH FAGE
Brahms Piano Concerto No 2, in B flat
SVIATOSLAV RICHTER CHICAGO SYMPHONY ORCHESTRA conducted by ERICH LEINSDORF
8.18* Sibelius Symphony No S, in E flat
BERLIN PHILHARMONIC ORCHESTRA conducted by HERBERT VON KARAJAN gramophone records
by DEREK WRIGHT. Lecturer in Psychology, University of Leicester
The idea of sex as an innate force which must not be bottled up underlies many current views on sexual behaviour. But some recent research suggests that sex may be better thought of as a learnt appetite. The implications are considerable
Hugh Wood Song-cycle: The Rider Victory (first broadcast performance)
Lutyens Lament of Isis on the death of Osiris (Isis and Osiris) Lutijens A phoenix (first broadcast performance)
Justin Connolly Cinquepaces , for brass quintet
JANE MANNING (soprano) SUSAN MCGAW (piano)
PHILIP JONES BRASS QUINTET Philip Jones (trumpet)
Elgar Howarth (trumpet) Ifor James (horn)
John Iveson (trombone) John Fletcher (tuba)
(Connolly broadcast on 12 September 1969)
The word cinquepaces is a generic title for certain Renaissance dances of which the galliard is perhaps best known. The style of these dances was forceful and athletic: the dancers were usually male, and the sequences were often planned for pairs of soloists. In Mr Connolly's work there are three such dances separated by interludes and enclosed by a prelude and coda. The general character of the work tends towards virtuosity, and to a certain extent the players are not only the five steps of the dance but are themselves the dancers.
A selection of his poems chosen and introduced by DOROTHY BAKER read by CARLETON HOBBS
Produced by DOROTHY BAKER
by PETER FRANKL
Schubert Four Impromptus (d 899)
10.53* Beethoven Sonata in F sharp major, Op 78
11.4* Schumann Studes symphoniques
