Part 2
An account of literature, art, and music in the modern Arabic-speaking world, compiled from recordings made by Desmond Stewart in the Middle East
Readers:
CÈCILE CHEVREAU
BERNARD HORSFALL
Programme narrated by DESMOND STEWART
Produced by CHRISTOPHER SYKES
Second broadcast

tMusic by composers of two generations-the first and second after Schoenberg-and four different countries
The fifth programme in the series including music by Dallapiccola
MAUREEN LEHANE (contralto)
PAUL HAMBURGER (piano)
NEW Music Ensemble
Colin Bradbury (clarinet) Paul Collins (violin)
Jennifer Ward Clarke (cello)
DEREK SIMPSON (cello)
ERNEST LUSH (piano)
Continued in next column
A piano recital including Dallapiccola's Quaderno musicale di Annalibera: Sept. 4

The functions of the Judicial Committee of the Privy Council are unacceptable to many members of the new Commonwealth. The idea of evolving a Supreme Court for the Commonwealth is discussed between
† EDWARD GARDNER , Q.C., M.P. and H. W. R. WADE ,
Professor of English Law at St. John's College. Oxford followed by an interlude at 7.50

MSTISLAV ROSTROPOVICH (cello) London SYMPHONY Orchestra Leader, Erich Gruenberg Conducted by GENNADI ROZHDESTVENSKY
From the Usher Hall, Edinburgh

by John Clare
August
A reading by HUGH DICKSON and BASIL JONES of Clare's original version of the poem
Introduced by ERIC ROBINSON

Part 2

by J. W. N. WATKINS
Reader in the History of Philosophy, London University Mr. Watkins discusses the philosophical grounds of the difference between Galileo and the Pope and the similarity of Galileo's epistemoloKy to Plato's.
Second broadcast

ALFRED DELLER (counter-tenor) JOHN WHITWORTH (counter-tenor) GERALD ENGLISH (tenor)
MARYLIN WAILES (recorder)
MICHAEL DOBSON (cor anglais) ARCHIE CAMDEN (bassoon)
ARTHUR WILSON (trombone)
MARY REMNANT (portative organ) EDITH LAKE (bass viol)
Directed by GILBERT REANEY followed by an interlude at 10.50