at the Brussels Conservatoire played by AIMÈE VAN DE WlELE on the Delin upright harpsichord:
The first of three recitals
Recorded In collaboration with the Belgian Broadcasting Service

A discussion on the man, the work. and the times between RICHARD T, ELLMAN
KARL MILLER , JULIAN MITCHELL in the light of the publication of Hemingway's first posthumous book A Moveable Feast
Second broadcast: previously broadcast in ' New Comment '

AEOLIAN STRING QUARTET
Sydney Humphreys (violin)
Raymond Keenlyside (violin) Watson Forbes (viola) Derek Simpson (cello)
Second broadcast

by William Hanley adapted for radio by WILLIAM ASH tt'ith
Produced by JOHN Gibson
Second broadcast followed by an interlude at 7.55

IRMGARD SEEFRIED (soprano)
WOLFGANG SCHNEIDERHAN (violin)
London SYMPHONY ORCHESTRA Leader, Erich Gruenberg
Conducted by COLIN DAVIS
From the Usher Hall. Edinburgh
Part 1

† by RALPH BERRY
Do political writers use a genre of metaphor unconsciously derived from their party's traditional outlook?
Dr. Berry illustrates his view that they do. with quotations from two recent Penguins: Why Conservativef by Timothy Raison and Why LabourT by Jim Northcott.

Part 2

A monthly programme in which different interpretations on gramophone records are compared
† Paul HAMBURGER talks about
Brahms's Four Serious Songs recorded by KATHLEEN FERRIER , KIRSTEN FLAGSTAD , DIETRICH FISCHER-DIESKAU, and others

Impromptu in E flat major (D.946 No. 2) played by CLAUDIO ARRAU (piano) on a gramophone record