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by Andrew Forge
Nowadays one takes for granted the promotion of modern art by the interests of business and national prestige; also a widely based goodwill towards advanced art. But what is this support founded upon? What has modern art to offer its supporters? Are modern artists doing what they expect of themselves or what is expected of them? These are some of the questions suggested by reading Werner Haftmann s Painting in the Twentieth Century

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Werner Haftmann

Third Programme

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This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More