played and introduced by James Dalton
2: STEINKIRCHEN CHURCH .ear Hamburg
Buxtehude
Prelude and Fugue In F
Chorale Prelude: Erschlenen 1st der herrliche Tag
Scheidt
Psalmus: Da Jesus an dem Kreuze stund
Bach
Prelude and Fugue In G minor
(S.536)
Fantasia a 5, in C minor (S.562)
Chorale Prelude: Wenn wir in hochsten Noten sein (Orgelbilchlein)
Allabreve in D (S.589)
Recorded In collaboration with Norddeutscher Rundfunk
Modern organ of the Maranathakerk, Amsterdam, by D. A. Flentrop : Nov. 5

A personal reassessment by Patric Dickinson
The second of two programmes in which Mr. Dickinson reviews appraisals of the poetry of Alfred Lord Tennyson made since his death and estimates its signi* ficance 'to present-day readers. Narrator, Patric Dickinson
The extracts from Tennyson read by Carleton Hobbs
Others taking part
Olive Gregg. Eric Anderson
Derek Birch , Norman Claridge Felix Felton , Denis Goacher
Godfrey Kenton , David March
Norman Shelley , Geoffrey Wincott
Production by Joe Burroughs

Kyra Vayne (soprano)
Rosemary Phillips (contralto) John Mitchinson (tenor) John Cameron (baritone)
Clifton Helliwell (piano) Frederick Stone (piano) Josephine Lee (piano) Charles Spinks (piano)
BBC Chorus
Chorus-Master, Leslie Woodgata
BBC Symphony Orchestra Leader, Paul Beard
Conducted by Bruno Maderna
Part 1

by D. B. Quinn
Professor of Modern History In the University of Liverpool
Henry the Navigator, who died 500 years ago, was celebrated in a conference of historians and geographers held in Lisbon in September. Professor Quinn pays tribute to the variety of his enterprise and his efficient exploitation of success.

Part 2:
Stravinsky Les Noces : a ballet for soloists, chorus, percussion, and four pianos

David Sylvester interviews five American Abstract Expressionists
2: Robert Motherwell
The movement in painting which emerged in New York during the 1940s and is known as Abstract Expressionism or as Action Painting has probably been the most influential movement in post-war art, and is certainly the first movement in the history of American art to have had wide international repercussions. In these interviews (recently recorded in New York) with some of the movement's leading figures, the most dominant single idea is that, in painting spontaneously towards the realisation of an unforeseen pictorial order, the painter is discovering his own identity.
Philip Guston : November 6

of the Southern States
A series of four programmes compiled and narrated by Alan Lomax
4: THE BOOTS OF THE BLUES
The development of the blues in the Mississippi Valley from the dance music of the slaves to the contemporary; country blues.
Produced by Douglas Cleverdon

String Quartet in 0 (D.887) played by the Hungarian String Quartet Zoltan Szekely (violin)
Alexandre Moskowsky (violin) Denes Koromzay (viola) Vilmos Palotal (cello) on a gramophone record