by John Golding author of Cubism
For most young painters today, bred on abstract expressionism, Picasso is an old master rather than an active influence. [ohn Golding looks at his late work in relationship to other developments in post-war painting, and tries to assess to what extent it may provide a fresh inspiration to painters of the future. A large retrospective exhibition of Picasso's work is on view in London at the late Gallery until September 18.
(: second broadcast)

Martin-Hooton-Parsons Trio :
David Martin (violin)
Florence Hooton (cello) Geoffrey Parsons (piano)

by N. F. Simpson
Produced by Charles Lefeaux
The action takes place in the living-room of the Paradocks' suburban home.
(: second broadcast)

See foot of page. Act 1
(Recording made available by courtesy of Westdeutscher Rundfunk)

by George Watson
Assistant Lecturer in English
In the University of Cambridge
Mr. Watson criticises the three kinds of Shakespearean analysis of the past sixty years (of character, of theatrical convention, and of imagery) and suggests that a fourth approach is now available. His remarks are prompted by the book borne
Shakespearean Themes by L. C. Knights.

by V. S. Pritchett
2-Bulgaria
In four talks Mr. Pritchett describes some impressions of his recent travels.

followed by an Interlude at 9.45

introduces a selection of his own poems
Readers:
Anthony Jacobs and Gary Watson

Sonata in A minor (D.845)
Moments musicaux played by Alfred Brendel (piano) i: second broadcast)