by Malcolm Bradbury
Reflections on the expatriate movement in American literature in the 1920s with recorded contributions from:
Sylvia Beach
R. P. Blackmur Robert Coates. Malcolm Cowley Harold Loeb. Gorham Munson
Ezra Pound. Allen Tate
Virgil Thomson , and Glenway Wescott
Narration read by Brian Wilde
Other readers:
Katharine Blake. Budd Knapp and Guy Kingsley Poynter
Produced by Christopher Holme

Duo (D.574) played by Manoug Parikian (violin)
Lamar Crowson (piano)
First of four programmes of Schubert's works for violin and piano.
Sonatinas Nos. 1 and 2: March 19

Reader in Physics at
King's College, London
Would a description of human communication in purely mechanical terms have any room for the notion of meaning? Dr. MacKay argues for a thoroughgoing discussion at this level.

Colin Horsley (piano)
BBC Symphony Orchestra
(Leader, Paul Beard)
Conducted by øivin Fjeldstad
Part 1
See page 5

by Richard Southern
In his recent book Shakespeare's Wooden 0 the American scholar Leslie Hotson argued that Shakespeare's original theatre was much more medieval than is popularly supposed; for example, the best seats were placed where we would consider the back of the stage to be, and the acting was accordingly ' in the round.' Richard Southern, author of The Medieval Theatre in the Round, examines the evidence.

Part 2

See panel.

Symphony in D, Op. 18 No. 4 (J. C.
Bach)
Symphony Ne. 5, in B minor (C. P. E.
Bach)
Symphony in D minor (W. F. Bach) Symphony in G minor, Op. 6 No. 6
(J. C. Bach)
The Saar Chamber Orchestra Conducted by Karl Ristenpart on a gramophone record