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A play for radio by Angela Petter based on an Indian legend
Production by Christopher Sykes
A King has pledged himself to go to the burning-ground (the cemetery where me dead are burned and criminals hanged) on the night of the New Moon, taking nothing with him but his sword. How this rash but just King encounters his other sell in the form of an evil necromancer and discharges the debt so cunningly laid upon him is a tale well known in India and the East. The source for this play was the ,hort narrative included in a posthumous collection of studies by Heinrich Zimmer , The King and the Corpse.
followed by an interlude at 9.10

Contributors

Unknown:
Angela Petter
Production By:
Christopher Sykes
Unknown:
Heinrich Zimmer
: The King:
Robert Eddison Jacobs
The Beggar-Ascetic:
Anthony Jacobs
The Beggar at the Gate:
Martin Starkie
The Spectre in the Corpse:
Neville Hartley
Chorus of Liberated Spirits:
Betty Linton
Chorus of Liberated Spirits:
Trader Faulkner

While there have been anthologies of poetry and prose writings reflecting the Romantic Movement, the exhibition now on view in London at the Tate Gallery and at the Arts Council Gallery provides a unique opportunity for examining the evidence offered by the pictorial arts.
BASIL TAYLOR considers some of the pictures in this exhibition in their relation to some long-standing controversies about Romanticism.
(The recorded broadcast of July 12)
Shades of Romanticism, by L. D. Ettlinger : August 26

Contributors

Unknown:
L. D. Ettlinger

Piano Quartet in C minor (1829)
(completed and edited by Hans F. Redlich played by the Richards Piano Quartet:
Irene Richards (violin)
Jean Stewart (viola)
Bernard Richards (cello) Terence Beckles (piano)

Contributors

Edited By:
Hans F. Redlich
Violin:
Irene Richards
Viola:
Jean Stewart
Cello:
Bernard Richards
Piano:
Terence Beckles

Third Programme

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More