Sonata in A minor, Op. 143 played by Friedrich Wilhrer (piano) on gramophone records

Talk by the Rev.
G. R. Beasley-Murray Ph.D. ,
Tutor at'
Spurgeon's College, London
The attempt made by Rudolf Bultmann to interpret the New Testament so that it would be understood by modern man led to the development of- demvthologising. This process has been strongly criticised for its sceptical attitude to the Gospels, its failure to recognise the enduring power of myth, and its lack of concern with historical truth.
Dr. Beasley-Murray shares in the opposition to Bultmann, but recognises considerable contributions to New Testament study in his work. In this talk, while still disagreeing with Dr. Bult mann , he points out the positive contributions.

The Purcell Singers
Conductor, Imogen Holst

Talk by H. C. Chang
Lecturer in Chinese in the University of Cambridge
In a recent talk Harold Nicolson contended that Confucian etiquette in China was rigid and artificial, and destructive of individual dignity. In this talk H. C. Chang, who has treated the subject in his book Allegory and Courtesy in Spenser, replies to Sir Harold.

A play for broadcasting by Frederick Bradnum with Tony Britton and Betty Linton
Music composed by Edward Williams played by Fitzroy Coleman (guitar)
Cast in order of speaking:
Produced by R. D. Smith

Symphony in A played by Orchestra Sinfonica di Turino della Radiotelevlsione Italiana
Conducted by the composer

Talk by Nigel Walker Ph.D. ,
Chairman of the Edinburgh Davidson Clinic
In this talk Dr. Walker considers different ways of describing the condition of the patient and the process of his cure. The language of psycho-analysis is bound to be metaphorical to some extent, and it is important that the metaphor should be recognised as such and should indicate what really happens. Dr. Walker is concerned with techniques dealing with the parent-child relationship and using the method of ' transference.*

Piano Trio in E flat.
Op. 70 No. 2 played by the Rubbra-Gruenberg-Pleeth Trio:
Erich Gruenberg (violin)
William Pleeth (cello)
Edmund Rubbra (piano)

David Gascoyne introduces some of the songs typical of the Parisian cabarets