Die SchlittschuhlSufer
(Fantasie aus
Meyerbeers Le Prophete) played by Gordon Watson (piano)

Six talks by William Empson
3-Hamlet when New
In this talk Mr. Empson considers the tmpaot the first performance of Hamlet is likely to have had on the audience.

The Deller Consort: April Cantelo (soprano)
Eileen McLoughlin (soprano) Alfred Deller (counter-tenor)
Alexander Young (tenor) Maurice Bevan (baritone)
Schola Polyphonica
Director, Henry Washington
Motets (Song of Songs, Nos. 25-29):
Quam pulchri sunt gressus; Duo libera tua; Quam pulchra es et quam decora; Guttur tuum sicut; Venii, veni dilecte mi
Mass: Assumpta est Maria
Eighth of nine programmes

The Translation
First of two talks by G. R. Driver
Professor of Semitic Philology a.t Oxford University
The American Revised Standard Version of the Bible was published simultaneously in the U.S.A. and in this country last September. The New Testament had already appeared six years earlier, and attention has therefore been directed mainly towards the Old Testament. In this talk Professor Driver examines the qualnty of the Old Testament as a translation. He himself is a prominent member of a committee engaged on a completely new translation of the Bible into English.

Jennifer Vyvyan (soprano)
Sophie Wyss (soprano)
Hugues Cuenod (tenor)
John Cameron (baritone)
Pierre Mollet (baritone)
BBC Singers
The Leighton Lucas Orchestra
(Leader, Ronald Good)
Conductor, Leighton Lucas
'L'enlevement d'Europe '
(in eight scenes)
'L'abandon d'Ariane'
(in five scenes)
'La delivrance de Thesee'
(in aix scenes)

OVERTURE: Phedre - Massenet
TROIS OPERAS MINUTES (Henri Hoppenot) - Milhaud
SYMPHONY No. 33. in B flat (K.319) - Mozart

by Helena Wood

Andre Fleury (organ)
Les bergers: Desseins éternels; Les enfants de Dieu; Les anges: Les mages (La nativité du Seigneur); Le banquet céleste: Apparition de l'église éternelle

3-Art by Edmund Leach
Reader in Anthropology in the. University of London