This listing contains language that some may find offensive.
by Edmund Spenser
Programme 6 — 'The Two Florimels;
Lust and Jealousy '
(Being Cancto 7 srtaneas 1-26,
Canto 8, and selections from Canto 10 of Book 3)
Produced by Louis MacNeice
String Quartet
Op. 121 played by the Aleph String Quartet:
Alan Loveday (violin)
Reginald Morley (violin)
Max Gilbert (viola)
Harvey Phillips (cello)
Piano Quintet, Op. 119: November 19
Talk by Kurt Badt author of ' Constable's Clouds ' and ' Delacroix Drawings '
Was Constable, as ia often claimed, a forerunner of the French Impressionists? How, in fact, did he paint? How much was his attitude to Nature determined on the one hand by the Nature-worship of the Romantics and on the other by the scientific spirit of the later nineteenth century? Kurt Badt believes that the time has come to re-examine some of the accepted notions about Constable.
Paul Tortelier (cello)
BBC Symphony Orchestra
(Leader, Paul Beard )
A section of the BBC Singers
Conducted by Clarence Raybould
Part 1
A Survival of the Middle Ages
Talk by H. E. Richardson
The speaker was for a number of years in charge of the Indian Government Mission at Lhasa.
Part 2
Margaret Godley , Margaret Rees
(sopranos)
Maude Baker , Margaret Rolfe
(contraltos)
Stanley Riley (bass)
Portrait of a Book-Collector by A. N. L. Munby
Vier ernste Gesange. Op. 121
Denn es gehet dem Menschen wie dem Vieh; Ich wandte mich und sahe. 0 Tod. wie bitter bist du; Wenn ich mit Menschen- und mit Engelzungen redete sung by Hans Hotter (baritone) with Gerald Moore (piano) on gramophone recorda
Kathleen Raine reviews ' Collected Poems, 1921-1951 ' by Edwin Muir