Edward Hyams describes an encounter with a youth who lived by trapping the wild animals of the Kentish countryside.

Quartet for piano and strings played by the Robert Masters Piano Quartet:
Robert Masters (violin) Nannie Jamieson (viola)
Muriel Taylor (cello)
Kinloch Anderson (piano)
Aaron Copland , probably the most important American composer of today, wrote his Piano Quartet in 1950. It was introduced to a London audience last February by the artists who tonight are broadcasting it for the first time in this country. It has three movements: Adagio serio (which opens in fugai style), Allegro giusto (characterised by incisive rhythmical phrases), and Non troppo lento (a lyrical movement containing some unusual sonorities). H.R.

by Henry Reed with music composed by William Wordsworth conducted by Patrick Savill
Production by Douglas Cleverdon

The second of four Mozart concerts given in the Royal Festival Hall
See page 5. Next concert: July 3
Tickets, from 12s. 6d. to 2s. 6d., may be obtained from the Royal Festival Hall or usual agents

Changed Stresses in French Affairs by Jean-Jacques Servan-Schreiber
To be repeated on June 24

(Concert continued)
A studio performance: June 16

Philosopher-Economist
Talk by J. W. N. Watkins
Lecturer at the London School of Economics
The speaker discusses Eucken's criticism of the historical school of economists, and his re-formulation of the methods of 'classical' economics.

Containing the encounters of Thomas Nashc with Martin Marprelate and with Gabriel Harvey , together with an account of Robert Greene 's last supper. as told by Pierce Penilesse
Programme written by H. A. L. Craig
Produced by Terence Tiller
Other parts played by Philip Cunningham , David Duncan David Jacobs , Desmond Llewelyn with Norah Cannell (soprano)
Bradshaw Mac Millan (tenor)
Stanley Riley (bass)
Denis Weatherley (bass)
Directed by Leslie Woodgate

Thirteenth-Century Secular Music
Pro Musica Antiqua
Director, Safford Cape