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A masque for broadcasting by W. S. Merwin with music composed and directed by John Hotchkis
Chorus: Bee Duffell , Eric Phillips ,
Jacqueline Thompson , Neil Tuson , and Marjorie Westbury
Production by Terence Tiller

Contributors

Broadcasting By:
W. S. Merwin
Directed By:
John Hotchkis
Unknown:
Bee Duffell
Unknown:
Eric Phillips
Unknown:
Jacqueline Thompson
Unknown:
Neil Tuson
Unknown:
Marjorie Westbury
Production By:
Terence Tiller
Adam:
Abraham Sofaer
Eve:
Betty Hardy
Abel:
Martin Starkie
Cain:
Anthony Jacobs
Narrator:
Derek Hart

Talk by Seton Lloyd , O.B.E. Director of the British Institute of Archaeology. Ankara
Last summer an Anglo-Turkish party set
out to examine one of the Harranian temples, where as late as the twelfth century A.D. the moon-god Sin was worshipped as he had been by the ancient Sumerians three thousand years earlier. Seton Lloyd , who directed the work in collaboration with the Turkish Antiquities Department, speaks of the significance of this curious religious survival, of the difficulties of the excavations, and of the discovery of a tablet bearing part of the Epic of Gilgamesh.

Contributors

Talk By:
Seton Lloyd
Unknown:
Seton Lloyd

BBC Scottish Orchestra
(Leader, J. Mouland Begbie )
Conducted by Royalton Kisch
Milhaud's First Symphony, compl led in Aix-en-Provence in December 1939, was commissioned by Dr. Frederick Stock for the fiftieth anniversary of the Chicago Symphony Orchestra, and first performed by the Orchestra during its Jubilee season in 1940 under the composer's direction. Milhaud said at the time that he was grateful for the commission, since ' it brought him back to composing in the midst of difficult and tragic even s.' The Symphony has four movements: Pastoral, Très vif, Tres modéré, and F.nal.
Harold Rutland

Contributors

Leader:
J. Mouland Begbie
Conducted By:
Royalton Kisch
Unknown:
Dr. Frederick Stock

Third Programme

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More