Sonata in B minor played by Cyril Smith (piano)
A series of six talks
6-Mathematical Structureby J. G. Semple ,
Professor of Geometry at King's College, London
Symphony No. 3, in D minor, for contralto, women's chorus and orchestra
Mina Ballotine (contralto)
Chorus and Orchestra of I.N.R., Belgium
Conductor, Franz-André
Mahler described his Third Symphony as * a musical poem embracing all stages of development in progressive order, from inanimate nature to the love of God.' It is in two parts. Part 1 is an extensive opening movement, with the alternative titles ' Pan awakes ' and ' Summer marches in.' Part 2 consists of five shorter movements: ' What the flowers of the field tell me '; ' What the birds and beasts of the forest tell me '; What night tells me ' (a setting for contralto of Nietzsche's poem ‘Midnight,’ expressing the hopes and fears of mankind); ' What the morning bells tell me ' (in which boys' and women's choruses sing the old German folk-poem ' Three Angels were singing '); and finally ' What love tells me.' Deryck Cooke
between Elizabeth Bowen and Jocelyn Brooke
In this informal conversation Elizabeth Bowen describes her way of writing novels and the beliefs that lie behind them.
Suzanne Danco (soprano)
Guido Agosti (piano)
Passages from
'The Task'
Read by David Lloyd James
Production by R. D. Smith
Some considerations by Professor E. L. Woodward
E. L. Woodward , F.B.A.. Professor of Modern History in the University of Oxford, gives a broadcast version of his lecture delivered to the British Academy earlier this year
Sonata in C (K.296) played by Szymon Goldberg (violin)
Lili Kraus (piano) on gramophone records
The Meaning of Byzantiumby Norman Baynes
Second of a series of four talks