Vegh String Quartet:
Sandor Vegh (violin) Sandor Zoldy (violin) Georges Janzer (viola)
Paul Szabo (cello)
Part 1

by Charles Madge
Charles Madge, who is Assistant Director of Social Research in the University of Birmingham, talks about the effect on our social legislation of the emergency measures taken in wartime. His talk is based on the evidence and conclusions brought forward in Problems of Social Policy by Richard Titmuss. This hook is the second volume of History of the Second World
War.

(Concert continued)
Giacinto Scelsi is an Italian composer, born in 1905, whose father was a pioneer in the field of aviation. He studied in Rome, where he received advice and encouragement from Respighi and Casclla, though he was never actually a pupil of those masters. A much-travelled man (he has visited the Far East and Africa besides most European countries), he won his first success with a- work called Rotadive, for three pianos, wind, and percussion, produced in Paris under Monteux in 1931. Six years later, while in Vienna, he came under the influence of the school of Schonberg. His most important work is La Naissance du Verbe for choir and orchestra; when performed in Paris last year this was hailed as an outstanding achievement. His String Quartet, to be played tonight, was written in Switzerland in 1944. Harold Rutland

by Henrik Ibsen
Adapted for broadcasting by Cynthia Pughe from a translation by William Archer and Edmund Gosse
Produced by Wilfrid Grantham

Dorothy Bond (soprano)
Frederick Stone (accompanist)
Harry Isaacs and York Bowen (pianos)
Harvey Phillips and James Whitehead (cellos)
Dennis Brain (horn)
Philharmonic String Trio:
David Martin (violin)
Max Gilbert (viola)
James Whitehead (cello) Iris Loveridge (piano)
Andante and Variations, Op. 46, for two pianos, two cellos. and horn
Songs:
0 ihr Herren: Röselein: Die Lotosblume ; Volksliedchen; Der Nussbaum
; Seit ich ihn gesehen; Die Stille Lied der Braut ; Er. der Herrlichste von Allen
Piano Quartet in E flat, Op. 47
Fourth of six programmes of music by Schumann.

Palladianism in England by Professor R. Wittkower

Brazilian Impressions played by the Munich Philharmonic Orchestra Conducted by Oswald Kabasta on gramophone records